Gustav Hartmann is in trouble. Because of the new taxis he doesn't get many passengers in his horse-drawn carriage. To prove what he and his horse are capable of, he starts a trip from ... See full summary »

Director:

(as Georg Hurdalek)

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(idea), (screenplay)
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Cast

Cast overview, first billed only:
...
Gustav Hartmann
...
Frau Marie Hartmann
Ernst Schröder ...
Friedrich Karl Möbius
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Anni Hartmann
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Gertrud Hartmann
Ruth Nimbach ...
Frau Johanna Möbius
Ludwig Linkmann ...
Paulchen Klinke
Manfred Grote ...
Mahrenholz (as Manfred Grothe)
Lutz Moik ...
Otto Kroppke
Hilde Sessak ...
Frau Vietzke
Willi Rose ...
Otto Vietzke
Bruno Fritz ...
Amtsarzt
Harry Meyen ...
Assessor
...
Straßensänger
Jenny Orléans ...
Dicke Französin
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Storyline

Gustav Hartmann is in trouble. Because of the new taxis he doesn't get many passengers in his horse-drawn carriage. To prove what he and his horse are capable of, he starts a trip from Berlin to Paris. Written by Wolfgang Klimt <wolfii@leo.org>

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Release Date:

5 December 1958 (West Germany)  »

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Aspect Ratio:

1.37 : 1
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Trivia

The horse with which the real Gustav Hartmann completed the journey of more than 1000 km from Berlin to Paris and back in 1928, was a gelding called Grasmus. See more »

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User Reviews

 
HEAVILY LEANING UPON HEINZ RÜHMANN
31 October 1999 | by (Amsterdam, The Netherlands) – See all my reviews

Based on a true event the film shows a coachman taking a journey from Berlin to Paris in 1928. The part of the coachman played by Heinz Rühmann seems to be a repeat of that of the captain in "Der Hauptmann von Köpenick" (1956). The part of the captain was embedded in a good film that had something to say as well; the story of the coachman in this film is more or less the only thing that is on offer and thereby is heavily leaning upon Heinz Rühmann's performance.

The scenes may be decently staged (a bit theatrically) and the acting good, Georg Hurdalek never achieved a film with the right atmosphere. From a film like this one would expect an image of the time of Germany (Berlin) and France, but Hurdalek never gives us more than a series of family related events and a summing up in the dialogue of things like the economic crises and the Lindbergh flight without these being a integral part of the premise.

Good entertainment though.


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