There are two parts to this film: sequences of life in the fishing village of La Pointe Courte (a government inspector's visit, the death of a child) alternate with others following a ... See full summary »
Francois is a young carpenter married with Therese. They have two little children. All goes well, life is beautiful, the sun shines and the birds sing. One day, Francois meets Emilie, they ... See full summary »
The intertwined lives of 2 women in 1970's France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain... See full summary »
A young mute woman, living in a small village, is expecting a baby. Her husband is at the same time writing a novel and using the villagers as his characters. In the creative process, reality and imagination are constantly intertwined.
"I'll look at you, but not at the camera. It could be a trap," whispers Jane Birkin shyly into Agnès Varda's ear at the start of JANE B. PAR AGNES V. The director of CLEO FROM 5 TO 7 and ... See full summary »
The Exquisite Corpus is based on various erotic films and advertising rushes. I play on the "cadavre exquis" technique used by the Surrealists, drawing disparate body parts constellating ... See full summary »
Tongue-in-cheek look at the French Riviera, especially in summer when it overflows with tourists. Reviews its history and famous visitors; displays its faux-exotic buildings, its crowded beaches, its trees and monuments; and, pokes fun at the colors women wear and the vagaries of fashion. The film celebrates the use of "Eden" as a place name, suggesting that paradise comes to the coast after all are gone, perhaps only on a remote island beach. Written by
The same Criterion disc featuring the 1965 masterpiece "Le Bonheur" also features a copy of Varda's sarcastic 1958 travelogue Du côté de la côte, a 25-minute portraits of the Côte d'Azur mixing beautiful color footage of Cannes, Nice, etc with witty and sometimes nasty narration/commentary by an unseen man and a woman that serves to condemn the shallow luxury of the place. A fascinating piece that deserves more attention in this director's great filmography, and an interesting work in the very French category of essayistic films that can on one level be read as "serious" (travel documentary) but on another as a deconstruction of the same subject.
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