There are two parts to this film: sequences of life in the fishing village of La Pointe Courte (a government inspector's visit, the death of a child) alternate with others following a ... See full summary »
In winter in the south of France, a young woman is found frozen in a ditch. She's unkempt, a vagabond. Through flashbacks and brief interviews, we trace her final weeks as she camps alone ... See full summary »
Francois is a young carpenter married with Therese. They have two little children. All goes well, life is beautiful, the sun shines and the birds sing. One day, Francois meets Emilie, they ... See full summary »
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of ... See full summary »
An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. The aesthetic, political and moral ... See full summary »
Mary-Jane asks, "Do all women fall in love with a boy, or just those without sons?" She's divorced with two daughters, Lucy and Loulou. Lucy has a party where Mary-Jane notices Julien, 14, ... See full summary »
Tongue-in-cheek look at the French Riviera, especially in summer when it overflows with tourists. Reviews its history and famous visitors; displays its faux-exotic buildings, its crowded beaches, its trees and monuments; and, pokes fun at the colors women wear and the vagaries of fashion. The film celebrates the use of "Eden" as a place name, suggesting that paradise comes to the coast after all are gone, perhaps only on a remote island beach. Written by
The same Criterion disc featuring the 1965 masterpiece "Le Bonheur" also features a copy of Varda's sarcastic 1958 travelogue Du côté de la côte, a 25-minute portraits of the Côte d'Azur mixing beautiful color footage of Cannes, Nice, etc with witty and sometimes nasty narration/commentary by an unseen man and a woman that serves to condemn the shallow luxury of the place. A fascinating piece that deserves more attention in this director's great filmography, and an interesting work in the very French category of essayistic films that can on one level be read as "serious" (travel documentary) but on another as a deconstruction of the same subject.
3 of 3 people found this review helpful.
Was this review helpful to you?