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Horror of Dracula (1958)

Dracula (original title)
Approved | | Fantasy, Horror | 8 May 1958 (USA)
Jonathan Harker begets the ire of Count Dracula after he accepts a job at the vampire's castle under false pretenses.

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(screenplay), (novel)
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Cast

Cast overview, first billed only:
...
...
Dracula / Count Dracula
...
...
Carol Marsh ...
...
Gerda
John Van Eyssen ...
Valerie Gaunt ...
Janina Faye ...
Tania (as Janine Faye)
Barbara Archer ...
Inga
Charles Lloyd Pack ...
...
Policeman
George Woodbridge ...
Landlord
...
Official
Miles Malleson ...
Marx - Undertaker
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Storyline

After Jonathan Harker attacks Dracula at his castle (apparently somewhere in Germany), the vampire travels to a nearby city, where he preys on the family of Harker's fiancée. The only one who may be able to protect them is Dr. van Helsing, Harker's friend and fellow-student of vampires, who is determined to destroy Dracula, whatever the cost. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Who Will Be His Bride Tonight? See more »

Genres:

Fantasy | Horror

Certificate:

Approved | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

8 May 1958 (USA)  »

Also Known As:

Dracula 1958  »

Box Office

Budget:

£81,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Colour by) (Technicolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

According to Christopher Lee's autobiography, he received only £750 for his portrayal of Dracula. He also states that the film eventually grossed US$25 million. See more »

Goofs

This film is set in 1885; however, when Dr. Van Helsing puts his fur coat on young Tania, he tells her she looks like a "teddy bear", a term that wasn't coined until 1902. See more »

Quotes

[first lines]
Jonathan Harker: [narrating his diary] The Diary of Jonathan Harker... Third of May, 1885. At last, my long journey is drawing to its close. What the eventual end will be, I cannot foresee. But whatever may happen, I can rest secure that I will have done all in my power to achieve success.
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Connections

Featured in Have I Got News for You: Episode #34.4 (2007) See more »

Frequently Asked Questions

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User Reviews

 
The most influential British film
6 June 2006 | by (Leeds, England) – See all my reviews

It's difficult to overestimate the significance of Dracula. Far more so than its predecessor, The Curse of Frankenstein, it set the tone for Hammer's movie output over the next two decades - the two decades (1956-1976) when British films, or at least British horror films, were among the best, most admired and most imitated in the world. A far cry from the terribly English whimsy of the Thirties and Forties, or the provincial, "arty" stuff that's predominated since the end of the Eady levy in the 1980s.

With this movie, Hammer not only created an international star out of Christopher Lee, but a worldwide phenomenon that persists, in series such as Buffy the Vampire Slayer and films like Sleepy Hollow, to the present day. Taking the Kensington gore quotient of The Curse of Frankenstein, and combining it with an unprecedented dose of eroticised violence, Dracula revolutionised horror, ultimately leading to the breasts and blood exploitation movies of the Seventies, as well as the heavy sexual overtones of films such as Alien and The Company of Wolves.

The movie benefits from two astonishing central performances. Christopher Lee's Dracula is a creation of passionate intensity, to whom Cushing's monomaniacal Van Helsing is the antithesis – fire and steel; hot-blooded animal instinct versus cool scientific rationalism. This has led some critics to identify Van Helsing as the real villain of the piece, a brutal fanatic who coldly pounds a stake through the vampirised Lucy. Either way, both actors give supremely effective performances. The final confrontation between the two remains the single most iconic scene in any Hammer film. Hardly surprising, given their on screen charisma, that Lee should reprise his role six times and Cushing four.

The most influential British movie of all time, Dracula's electric mix of sex and death fuelled a global revolution in genre film-making, and presented Hammer with a formula that they would return to again and again over the next two decades.


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