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Horror of Dracula (1958)
"Dracula" (original title)

 -  Horror  -  8 May 1958 (USA)
7.5
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Ratings: 7.5/10 from 11,778 users  
Reviews: 148 user | 100 critic

After Jonathan Harker attacks Dracula at his castle (apparently somewhere in Germany), the vampire travels to a nearby city, where he preys on the family of Harker's fiancée. The only one ... See full summary »

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Title: Horror of Dracula (1958)

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Cast

Cast overview, first billed only:
...
...
...
...
Carol Marsh ...
Olga Dickie ...
Gerda
John Van Eyssen ...
Valerie Gaunt ...
Janina Faye ...
Tania (as Janine Faye)
Barbara Archer ...
Inga
Charles Lloyd Pack ...
George Merritt ...
Policeman
George Woodbridge ...
Landlord
George Benson ...
Frontier Official
Miles Malleson ...
Undertaker
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Storyline

After Jonathan Harker attacks Dracula at his castle (apparently somewhere in Germany), the vampire travels to a nearby city, where he preys on the family of Harker's fiancée. The only one who may be able to protect them is Dr. van Helsing, Harker's friend and fellow-student of vampires, who is determined to destroy Dracula, whatever the cost. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

The chill of the tomb won't leave your blood for hours... after you come face-to-face with DRACULA! See more »

Genres:

Horror

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

8 May 1958 (USA)  »

Also Known As:

Dracula 1958  »

Box Office

Budget:

£81,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(colour) (Technicolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

In the United States the title was changed to "Horror of Dracula" to avoid confusion with the classic 1931 version (Dracula (1931)). This was a real concern since the Bela Lugosi version was still being booked into theaters (through Realart) until the Shock Theatre package of classic Universal horror films was released to television. See more »

Goofs

At the start of the film, Jonathan Harker's journal narration establishes that it's May. Later, when Van Helsing and Holmwood ask the border official about the date Dracula's hearse would have crossed the frontier (within a week of the events that began the film) the date is given as December 1st. See more »

Quotes

[first lines]
Jonathan Harker: [narrating his diary] The Diary of Jonathan Harker... Third of May, 1885. At last, my long journey is drawing to its close. What the eventual end will be, I cannot foresee. But whatever may happen, I can rest secure that I will have done all in my power to achieve success.
See more »

Connections

Version of Drácula (1931) See more »

Frequently Asked Questions

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User Reviews

 
The most influential British film
6 June 2006 | by (Leeds, England) – See all my reviews

It's difficult to overestimate the significance of Dracula. Far more so than its predecessor, The Curse of Frankenstein, it set the tone for Hammer's movie output over the next two decades - the two decades (1956-1976) when British films, or at least British horror films, were among the best, most admired and most imitated in the world. A far cry from the terribly English whimsy of the Thirties and Forties, or the provincial, "arty" stuff that's predominated since the end of the Eady levy in the 1980s.

With this movie, Hammer not only created an international star out of Christopher Lee, but a worldwide phenomenon that persists, in series such as Buffy the Vampire Slayer and films like Sleepy Hollow, to the present day. Taking the Kensington gore quotient of The Curse of Frankenstein, and combining it with an unprecedented dose of eroticised violence, Dracula revolutionised horror, ultimately leading to the breasts and blood exploitation movies of the Seventies, as well as the heavy sexual overtones of films such as Alien and The Company of Wolves.

The movie benefits from two astonishing central performances. Christopher Lee's Dracula is a creation of passionate intensity, to whom Cushing's monomaniacal Van Helsing is the antithesis – fire and steel; hot-blooded animal instinct versus cool scientific rationalism. This has led some critics to identify Van Helsing as the real villain of the piece, a brutal fanatic who coldly pounds a stake through the vampirised Lucy. Either way, both actors give supremely effective performances. The final confrontation between the two remains the single most iconic scene in any Hammer film. Hardly surprising, given their on screen charisma, that Lee should reprise his role six times and Cushing four.

The most influential British movie of all time, Dracula's electric mix of sex and death fuelled a global revolution in genre film-making, and presented Hammer with a formula that they would return to again and again over the next two decades.


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