Paul, a divorced architect, marries Nichole, a woman from Paris. His teen daughter Jenny has fallen in with the English beatnik scene and likes to hang out in cave-like clubs to listen to ... See full summary »
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Betta St. John,
The Theatre of Death in Paris specialises in horror presentations. A police surgeon finds himself becoming involved in the place through his attraction to one of the performers. When ... See full summary »
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In an effort to relieve the suffering of surgery patients, Dr. Thomas Bolton painstakingly develops an opium-based anesthetic, to which he gradually becomes addicted. In order to provide a continual supply of chemicals to continue his experiments and support his addiction, he falls in with a den of murderers who use his signature to sell cadavers to the local hospital. Written by
Doug Sederberg <firstname.lastname@example.org>
The light used on Lee's entrance varies from shot to shot. See more »
A good day's work, Bolton! You're getting faster all the time. Beats me how you do it!
No matter how fast I still can't save them!
Yes, most distresing, but, alas, inevitably you can't have operations without screams. Pain and the knife, they're inseparable!
I beg to differ. Someday surgery must and will be made painless.
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Any film that boasts Boris Karloff, Christopher Lee or both together promises a great deal. Corridors of Blood marks the first time with them in the same film and together and is a very good one. There is actually very little wrong with Corridors of Blood though the ending is overly-sentimental and the film plods slightly at the end. There is so much to like and even love. Corridors of Blood may be low-budget, but you actually can't tell because it's professional and has such atmosphere to it. The photography is beautiful and the sets give off a real sense of creepiness. The music is unobtrusive and never obvious, instead it's haunting and understated, not an amazing score but suits the film well. The dialogue is intelligent and sounds as though there was thought put into it, while the story is a good mix of gas-lit melodrama, pseudo-histrionic science and gruesome body-snatcher antics, and they're well balanced. The horror elements is more reliant on atmosphere than anything else, which is fine because the atmosphere is so well done and one of the best aspects of Corridors of Blood. The characters carry the story well, though we don't see very much of Resurrection Joe, and the direction is pitched just right. Boris Karloff is outstanding here, refined and compassionate but his presence is magnetic and his addiction and laughing gas moments make for a nice change to what we usually see from him. Christopher Lee is loathsome and creepy as he ought to, he isn't on screen for very long but his performance is still memorable. The rest of the cast are great, particularly Francis De Wolff and Finlay Currie. To conclude, very good and very effective in almost all areas. 8/10 Bethany Cox
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