The Theatre of Death in Paris specialises in horror presentations. A police surgeon finds himself becoming involved in the place through his attraction to one of the performers. When ... See full summary »
Wealthy John Preston arrives in small town Deanbridge. He invests in local businesses and gets involved in community affairs. Eventually, he meets a local belle, Sally, and wins her from ... See full summary »
Betta St. John,
In the 1890s a team of British archaeologists discover the untouched tomb of Princess Ananka but accidentally bring the mummified body of her High Priest back to life. Three years later ... See full summary »
Paul, a divorced architect, marries Nichole, a woman from Paris. His teen daughter Jenny has fallen in with the English beatnik scene and likes to hang out in cave-like clubs to listen to ... See full summary »
In London's Soho, Johnny Solo runs the Pink Flamingo Club. He's tough to intimidate. So when he starts getting threats and demands for protection, he fights back. Behind the takeover plot ... See full summary »
In an effort to relieve the suffering of surgery patients, Dr. Thomas Bolton painstakingly develops an opium-based anesthetic, to which he gradually becomes addicted. In order to provide a continual supply of chemicals to continue his experiments and support his addiction, he falls in with a den of murderers who use his signature to sell cadavers to the local hospital. Written by
Doug Sederberg <email@example.com>
Although the film was not released until 1962, it was actually shot in 1958. See more »
The light used on Lee's entrance varies from shot to shot. See more »
A good day's work, Bolton! You're getting faster all the time. Beats me how you do it!
No matter how fast I still can't save them!
Yes, most distresing, but, alas, inevitably you can't have operations without screams. Pain and the knife, they're inseparable!
I beg to differ. Someday surgery must and will be made painless.
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Boris Karloff, as usual, is a joy to watch, as is Christopher Lee, who was right on the verge of becoming a big star in the Hammer films. This film is also notable for strongly evoking the grimy atmosphere of those out-of-the-way areas in 1800's England, worthy of comparison to David Lean's "Oliver Twist" (1948). Coincidentally, not long after seeing this film I happened to read the true life story of Horace Wells (1815-1848), a Connecticut dentist who experimented on himself with ether, chloroform, and laughing gas in an effort to discover a painless method of oral surgery. He succeeded, but became an addict in the process; his behavior subsequently became so violent that he was placed in prison, where he committed suicide. I wonder if Karloff's character in this film is at least partially based on Horace Wells.
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