Desire Under the Elms (1958)

User Rating:

6.4/10   

Director:

Delbert Mann

Writers:

Eugene O'Neill (play)
Irwin Shaw (writer)

Release Date:

6 May 1958 (Japan)

Genre:

Drama | Romance

Plot:

Ephraim Cabot is an old man of amazing vitality who loves his New England farm with a greedy passion...

Plot Keywords:

Farm | Family Conflict | Dead Mother | Illicit Love | Inheritance

Awards:

Nominated for Oscar. Another 2 nominations

Cast

Sophia Loren	...	Anna Cabot
Anthony Perkins	...	Eben Cabot
Burl Ives	...	Ephriam Cabot
Frank Overton	...	Simeon Cabot
Pernell Roberts	...	Peter Cabot
Rebecca Welles	...	Lucinda Cabot (as Rebecca Wells)
Jean Willes	...	Florence Cabot
Anne Seymour	...	Eben's mother
Roy Fant	...	Fiddler

Runtime:

111 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Germany:12 (re-rating) | West Germany:18 (original rating) | Australia:PG | Finland:K-16 | Sweden:15 | Argentina:16

Company:

Don Hartman Productions

Trivia:

Motion picture debut of Pernell Roberts.

Movie Connections:

Referenced in Film Geek (2005)

Stagey provincial US drama tries for Greek tragedy: Perkins superb

If you imagine yourself in a 1950s New York theatre surrounded by American anti-Communists wearing narrow ties and wanting to be cultured, you'll be able to connect with this wooden, would-be Greek tragedy. If not, don't go there, and get on board with TV's the Cartwrights, who seem to inhabit identical territory and period because they were performing almost simultaneously for an audience thousands of times bigger. It's worth watching for Antony Perkins, who is superbly mixed-up as an anti-authoritarian rebel determined to secure ownership of the family farm, but driven a bit strange by anxiety, paternal neglect and the early death of his mother. See him exit his lover's garden gate, pirouetting as he goes; or spinning in place before rising from his bed. It's so graceful you barely notice. He's like an 11 year-old, changing his mind every five minutes, madly self-conflicted as a result of his irresistible lust for the maid, sorry, his father's third wife. Sophia Loren is powerful in this picture, if you can follow her English. She really occupies her part and fills her space. The passion between her and Perkins would be almost believable, if it weren't expounded in this stagey setting, with neither Loren nor Perkins exposing any skin, which just adds to the sense of attending a school play. Actually, the basic material of Desire Under The Elms is purely adult, but somehow this production renders it about as sinful as Agatha Christie.