Vito Polara (Suarez)is ambitious and wants to get as more power and money as possible. He decides to leave the cigarette smuggling and try to get the total control of the regional fruit and... See full summary »
This consists of four short films by different directors. Rosselini's 'Chastity' ('Illibatezza') deals with an attractive air hostess who receives the unwelcome attentions of a middle aged ... See full summary »
Three stories of well-off youths who commit murders. In the French episode a group of high school students kill one of their colleagues for his money. In the Italian episode a university ... See full summary »
Anna Maria Ferrero,
Alvaro is been in jail and so he consider himself the most fit to lead his three friends Mario, Otello and Spartaco. The four young men decide to start a business. They need only a van to ... See full summary »
Turn-of-the-century Naples. Salvatore Ruotolo and his wife are murdered and their bodies are found in different locations. Since the evidence points to a crime by the Neapolitan crime ... See full summary »
Ted King, aided by Jack Janiero, is in charge of a company owned by Peter Merriman, reputed playboy, which he inherited from his father. Merriman decides to have a look at the company which... See full summary »
Charles 'Bud' Tingwell,
Vito Polara (Suarez)is ambitious and wants to get as more power and money as possible. He decides to leave the cigarette smuggling and try to get the total control of the regional fruit and vegetable distribution considered more profitable. He looks for the help of a rural crime Boss. He sets up a challenge to the local Camorra (Neapolitan Mafia) chieftains that could show soon who is the real powerful Boss. Written by
Rosi, later director of SALVATORE GIULIANO and the Gian Maria Volonte thrillers, is running up to speed here but the strong use of location - Naples tenements contrasted to the farming community - makes him an interesting link between the Neo Realists and the political thriller lot of the seventies, Damiano and the rest.
Suarez, the lead, switches from cigarette smuggling to vegetables, forming an uneasy alliance with the rural crime Don. We know he's going to get his but before that happens he's paired with Schiafino among the laundry drying on the roof, so that their mothers can argue whether she's an under age innocent or the local slut, and moved her into a bay view flat. Some suspense builds with in the final drive back to the city.
Compare this one with the similar themed American JUKE GIRL and THIEVES' HIGHWAY.
The technicians are excellent, with Di Venanzo's total focus look evident here before his Antonioni successes made him famous.
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