The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
Joker Jackson and Noah Cullen are two convicts on a chain gang who hate each other. After a truck prison accident, they flee and are pursued by the police. While they're chained, the two are dependent on one another. When they eventually get rid of their chains, their hostility has been changed into fellowship and respect. Written by
Tony Kessen <firstname.lastname@example.org>
Elvis Presley wanted the role of Joker Jackson, hoping to co-star with Sammy Davis Jr. (who had been first choice for the role of Noah Cullen) but was persuaded by his manager not to do the film. See more »
The dirt on the shirts throughout the film goes from clean to dirty to clean and dirty. So does the dirt on the faces. See more »
I found this film very entertaining, thanks in part from great performances by both Sidney Poitier and Tony Curtis, and due to great directing by Stanley Kramer. The black and white cinematography is great, as is the story of a black man and a white man, chained together and on the run from the law, who hate each other more than captivity itself. Shared experiences and the realization that inside they are both very similar helps both men to understand each other. I also liked the friction between the gung-ho sheriff and the more laid-back, realistic one. The character of the bloodhound owner rings true to anyone who knows a person who breeds dogs. The only thing I didn't like about this film was the Poitier character's singing. I know thats its a big part of the film and it is a form of defiance on its own, but it bugged me none the less. Oh well, small criticism for a great film. But what's with woman who'll sell out her son to some guy who stumbles into her yard? Wrong priorities, I guess.
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