Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter EGermann, the feuding, childless, professional couple who appear in one episode of "... See full summary »
Yesterday Jim Molner was an ordinary guy. Today he's a desperate man, frantically trying to save himself and his family, held hostage by a demented terrorist who's demanding $500,000 not to... See full summary »
When the nephew and his friend of Phyllis Carter are killed in an automobile crash while under the influence of narcotics, she persuades Police Lieutenant Jim Hahan to use her as an ... See full summary »
Outlaw Clint Hollister escapes from jail with the help of Marshal Jake Wade, because once Clint did the same for him. Jake left Clint just after, but Clint finds him back and forces Jake to... See full summary »
Small time racketeer Marc Fury agrees to plead self-defense for a murder committed by gang boss Joe Farrow in exchange for Farrow's I.O.U. for $50,000. He is acquitted but is ordered ... See full summary »
Struggling artist Geoffrey Carroll meets Sally whilst on holiday in the country. A romance develops but he doesn't tell her he's already married. Suffering from mental illness, Geoffrey ... See full summary »
Rip MacCool has learned early in life that "money talks" (and other stuff walks), as does the audience via flashbacks, and when he arrives in San Francisco, he has no qualms about being ... See full summary »
Set on a fictitious island in the Carribean during colonial British rule, it focuses on the life of a young charismatic and handsome black male with political aspirations. He finds himself ... See full summary »
There is no music or any score in the movie until the very end. Until then, all the ambience is ship noises. See more »
There are several shots showing the ship propeller operating only partially submerged. This would be an extremely inefficient method of propulsion. See more »
[as the two of them drag Mace from his bunk]
What're you gonna' do with him?
We'll throw him off the stern.
He'll scream like a stuck pig.
Nobody'll hear him.
[They proceed to drag Mace, kicking and struggling, back to the stern of the ship, where they toss him into the sea]
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In the opening credits of this black-and-white film, the last word of the title is colored blood red. See more »
These two merchant sailors -- Broderick Crawford and Stewart Whitman -- get a crazy idea aboard a freighter. They're going to kill every officer and man aboard, waterlog the ship, radio for help, claim there was a mutiny and everyone left the ship but them, and claim the ship, worth a million bucks, for salvage.
Granted, the idea is slightly askew, but these guys are snipes, working down in the engine room and the temperature there runs around 116 degrees and sounds like the deepest pits of hell. That environment will drive anyone nuts. Besides, it's like the old joke. "How's your wife?" "Compared to WHAT?" If you put Crawford and Whitman next to the Manson Family or al Qaeda they look like paragons of rationality. So, okay, let's leave them some leeway, so to speak.
I'll skip the plot, I guess, because it doesn't require much in the way of explanation. The dialog lacks verve and credibility. "Anything can happen!" "Whoever destroyed the radios must have had a PURPOSE." And when the officers find three corpses in the engine room, someone says to Mason, "Do you realize the ENORMITY of this?" The acting doesn't require much comment either. Everybody involved delivers about what you'd expect. Mason is smooth, Crawford plays a junk man, Whitman is a little ratty, and none of the others stand out -- except Dorothy Dandridge. She can't act very well, but -- wow! What a dish. I don't know about "a million bucks" but Dorothy Dandridge could start a genuine mutiny alright.
I vaguely remember seeing this when it was released and, it may be hard for a contemporary viewer to understand but, like "The Sniper," which was released about the same time, it was shocking in its brutality. The theater suddenly went kind of quiet when Crawford deliberately picked off one of the crew members from a few feet away with a high-powered rifle. The sexy Dandridge was memorable too, although I don't recall that she quieted down the audience.
The Perrys, who produced, had a habit of using real locations for their shoots. "Cry Terror," another suspenser with James Mason, made good use of New York locations. And they actually sunk a liner for one of their movies, something like, "The Last Voyage." I'm glad they never made a movie about the end of the world.
The story isn't really a grabber and the acting is no more than routine but this is worth seeing, if only because it gives you a chance to feel what it's really like to be on a ship, not a mockup of the kind that John Wayne sails through with such ease. The ship, by the way, is pretty ship shape and not at all a rust bucket. She's also high in the water because she's carrying no cargo.
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