Quotes
Mr. Applegate:
Have a nice trip?
Lola:
Perfect. The plane crashed in Cleveland.
Mr. Applegate:
Good. Now about that job in Chicago.
Lola:
Just dandy. I got the old boy to embezzle 100,000 dollars and lost it for him at the race track. Then his wife left him and he took to drink. I told him I was through and he jumped out the window... twenty second story.
Mr. Applegate:
That's high enough, that's fine.
Lola:
I wanna try the Empire State Building on this next one.
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Soundtracks
"There's Something About An Empty Chair (reprise)
Performed by
Shannon Bolin and
Robert Shafer
Music by
Richard Adler
Lyrics by
Jerry Ross
Performed by
Shannon Bolin and
Robert Shafer See more »
The smash hit Broadway musical Damn Yankees was transferred to the screen with all but one of its original Broadway cast, its original director, and its original choreographer intact. This has both good and bad consequences. The good is that the great performances of the cast and the dynamic, sexy choreography of a young Bob Fosse are preserved for posterity. Although top billing is given to the one non-Broadway holdover, Tab Hunter, the real star of the film is the incredible Gwen Verdon recreating her spellbinding, Tony-winning turn as Lola. With comic timing, energy, sex appeal and incredible dancing ability to spare, it's impossible to succumb to her charms when she takes the stage... er, screen in her numbers "A Little Brains, A Little Talent," "Who's Got the Pain" (In a delightful pairing with Fosse himself), "Two Lost Souls," and especially the classic "Whatever Lola Wants," and, as another reviewer noted, it's amazing that this didn't lead to a longer and more rewarding movie career. She had a brilliant career for years after on Broadway but it still is a shame that more of her work wasn't preserved. Ray Walston is hammy but devishly (Sorry about the pun) delightful as Applegate, and the supporting cast, including Jean Stapleton, is all fine. Nobody can really sing, but they inject the performances of their songs with such zest, energy and sweet sincerity that it doesn't really matter. The only problem is that, even though George Abbot, the original Broadway director, is paired witht he more cinematically knowledgeable Stanley Donen, everything is very stagey and there isn't much effort to open the action out. But when Verdon is working her magic, it's pretty hard to care, so that seems like a stupid quibble. So kick back, relax and enjoy Damn Yankees. It may not be the most inventive movie musical ever, but it's got a little brians, a little talent, plenty of heart, and Gwen Verdon. Who could ask for anything more?