Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
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The family of who is "affectionately" known as "Big Daddy" Pollitt convenes at his and Big Momma's vast 28,000 acre East Mississippi plantation for his sixty-fifth birthday, although it may as well be for his funeral on the belief that he is dying. Despite his latest medical report being clean, in reality he truly does have terminal colon cancer, something the doctor only tells Big Daddy's two sons, Gooper Pollitt, a lawyer, and Brick Pollitt, who recently left his job as a sportscaster. Brooding Brick and his wife Maggie Pollitt, who have driven up from New Orleans for the occasion, are going through a long rough patch in their marriage. Brick wanted to split, but Maggie convinced him to stay married on the condition that she not pressure him for sex. In their troubles, Brick has turned to the bottle, a drunken incident which has left Brick currently on crutches. Maggie believes Gooper and his wife Mae Pollitt are trying to orchestrate Brick out of Big Daddy's will, Brick and ... Written by
Tennessee Williams wrote the role of Big Daddy with Burl Ives in mind. Prior to the original stage production, Ives was known primarily as a folk singer, and many within the theatre community questioned Williams' decision. Ives won rave reviews in the role on both stage and screen, and went on to a long and prestigious acting career. See more »
The enormous cake Big Momma brings into the bedroom - and continues to carry for the remainder of the scene - is clearly fake. Despite its size, she carries it with no effort and without it shifting on its platter. Later on, it is plain that the colored candles have nearly completely melted down, leaving streaks of wax all over the unchanged surface. See more »
"Cat on a Hot Tin Roof" is quite brilliant. Even though it's an adaptation of a play it's never boring. Of course, it's impossible to make a film based on a play that isn't 'talky,' but Brooks has managed to make a film that is fascinating and interesting despite the theatrical feel. It helps that the cast is uniformly sensational! Elizabeth Taylor, Burl Ives, and -- especially -- Paul Newman. This film is not quite as good as another adaptation of a Tennessee Williams play, "A Streetcar Named Desire" by Elia Kazan, but it comes pretty close. (9/10)
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