Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
Drifter Chance Wayne returns to his hometown after many years of trying to make it in the movies. Arriving with him is a faded film star he picked up along the way, Alexandra Del Lago. ... See full summary »
The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at ... See full summary »
The fifth Tennessee Williams play to reach the screen, wealthy Mississippi plantation owner Big Daddy Pollitt, unaware that he's dying of cancer and disturbed by the strained and childless marriage of his favored alcoholic son Brick and his other son, Gooper, whose wife is about to bring forth another in the endless line of little "no-neck monsters," celebrates his sixty-fifth birthday with his family. Brick's wife, Maggie, beautiful and desirable, tries unsuccessfully to coax her husband away from the bottle, while alternately enticing him and taunting him about his obsession with his deceased best friend and the guilt about their relationship. The seamy tensions reach a climax when the truth of Big Daddy's health is revealed, and he and Brick manage to resolve their differences. Written by
The enormous cake Big Momma brings into the bedroom - and continues to carry for the remainder of the scene - is clearly fake. Despite its size, she carries it with no effort and without it shifting on its platter. Later on, it is plain that the colored candles have nearly completely melted down, leaving streaks of wax all over the unchanged surface. See more »
"Cat on a Hot Tin Roof" is quite brilliant. Even though it's an adaptation of a play it's never boring. Of course, it's impossible to make a film based on a play that isn't 'talky,' but Brooks has managed to make a film that is fascinating and interesting despite the theatrical feel. It helps that the cast is uniformly sensational! Elizabeth Taylor, Burl Ives, and -- especially -- Paul Newman. This film is not quite as good as another adaptation of a Tennessee Williams play, "A Streetcar Named Desire" by Elia Kazan, but it comes pretty close. (9/10)
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