When a reporter claims that New York police are on the take letting the mob run its horse parlors at will, a shocked District Attorney Michael Norris decide to do something about it. Not ... See full summary »
The venomous and amoral wife of a wealthy architect tries, any way she can, to break up the blossoming romance between her husband and his new mistress; a good-natured young widow who holds a dark past.
Brian G. Hutton
Having flunked graduation for a second time and needing cash to support his crabby (and thus unemployed) father, Danny Fisher takes a job as a singer in the King Creole nightclub - about ... See full summary »
A man, who lives alone in his apartment, finds his ideal woman while going to the symphony. He dates her and brings her to his pad, only to find out she came to the symphony on a ticket she... See full summary »
Brian G. Hutton
Christy runs a rock and roll nightclub on a carnival pier with his righ-hand-man Benny. Christy has a crush on the club's star, Natalie Cook, but she has eyes for Stanley, a local business ... See full summary »
Brian G. Hutton,
David J. Stewart
When a reporter claims that New York police are on the take letting the mob run its horse parlors at will, a shocked District Attorney Michael Norris decide to do something about it. Not knowing who can be trusted on the force, he turns to recent police academy graduates to go undercover and find the corrupt cops. Among them is Pete Harris, a 10 year Marine Corps veteran. His focus is on Lil Polumbo, recently widowed after her husband Gus' truck ran off the road. Rumor has it that Gus was heavily in debt to the mob and killed himself so his wife could collect on his insurance. When the mob learns that Harris is a cop, they try to kill him but it doesn't go as planned and kills someone close to him instead. Pete decides to get the killers at any cost. Written by
"Raymond T. Marcus" is listed as the writer for this film, but that was an alias used by Bernard Gordon. Gordon co-wrote this movie with 'Julian Zimet' (qav). Since the two blacklisted during the McCarthy-era "Red Scare", their real names could not be used. See more »
from "Die Meistersinger"
Music by Richard Wagner
Played while the villains are bugging Darren McGavin's apartment See more »
Opine that a film is noir, and the arguments will sprout up like mushrooms in a dark cellar. This gritty little feature, however, should cause contention only among those who designate noir in terms of directors, inclusive years, or other mercenary measures. The plot concerns police corruption, and the protagonist is an unsullied, but savvy rookie cop who is ready and willing to cast sentiment aside and get the goods by hook or crook. The Production Code is cracking, and characters talk of a woman putting out and a good guy's willingness to cheat on his wife. There's no soft soap or sappiness--only an oblique noir world that twists and turns and delivers flashes of light amidst the gloom.
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