Living in squalor, a former student and loner (Raskolnikov) murders an old pawnbroker woman in order to confirm his hypothesis that certain individuals can pretermit morality in the pursuit of something greater.
Set in present day Japan in a provincial town, Bunzo Kurosawa, a greedy and violent father, is murdered in his own home. Bunzo has 3 sons: oldest son Mitsuru (Takumi Saito), second son Isao... See full summary »
A film that examines the relationships between lives on both sides of the proscenium, Petr Zelenka's Karamazovi finds a Prague-based theatrical ensemble arriving in Krakow, Poland - where ... See full summary »
Jerzy Michal Bozyk,
Ryevsk, Russia, 1870. Tensions abound in the Karamazov family. Fyodor is a wealthy libertine who holds his purse strings tightly. His four grown sons include Dmitri, the eldest, an elegant officer, always broke and at odds with his father, betrothed to Katya, herself lovely and rich. The other brothers include a sterile aesthete, a factotum who is a bastard, and a monk. Family tensions erupt when Dmitri falls in love with one of his father's mistresses, the coquette Grushenka. Two brothers see Dmitri's jealousy of their father as an opportunity to inherit sooner. Acts of violence lead to the story's conclusion: trials of honor, conscience, forgiveness, and redemption. Written by
This film is supposedly one of the reasons Marilyn Monroe ran away from Fox, because she wanted to star in something serious. They lured her back to the studio with Bus Stop (1956). See more »
When Captain Snegiryov discuses Dmitri Karamazov's debt situation he notes that Dmitri Karamazov could not even repay 2 cents for every ruble he owes (0:33:35).The Russian ruble is divided into 100 kopecks not into cents.One sub-unit of the ruble is called a kopeck. See more »
If you'll permit a comment, sir, you're not at all like your brother Dmitri.
You're different from all of them. I could see that the first minute you arrived yesterday. Intelligence, audacity, cleverness...
You've just never met anyone who lives in Moscow.
No sir, it's those magazine articles you wrote, the ones about crime.
You enjoyed them.
[takes out a magazine clipping, reads it]
There is nothing in the world to make man love their neighbours. If there is no God, then ...
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The optimum method for bringing a major literary work to the screen is the mini series, (though the television adaptation of Dostoyevski's "Crime and Punishment" was not to my liking.) There's no possible way a novel of the length and complexity such as "Brothers Karamazov" can be done justice to by the cinema, even given 145 minutes.
This 1959 Hollywood version deserves full marks for summarizing and depicting the plot faithfully, but since so much of the essence of the book is missing one cannot help feeling the pointlessness of the entire exercise.
Director Richard Brooks manages to sustain the emotion intensity of the piece, keeping the proceedings on an intimate scale, (David Lean no doubt would have blown it up to epic proportions). The cast are largely satisfactory with Yul Brynner is at his charismatic best as Dmitri and Claire Bloom is spot on as Katya. Iridescent Maria Schell is far too genteel for the earthy Grushenka, a part Marilyn Monroe somewhat misguidedly felt she was born to play, according to Hollywood lore. Lee J. Cobb tends towards hamming it up and an almost unrecognizably young William Shatner is a pleasant surprise as the mystically inclined Alexi.
While there is some enjoyment to be gained from this movie, one can only wholeheartedly offer the recommendation read the book.
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