| Photos (see all 14 | slideshow) |
| Deborah Kerr | ... | Anne Larson | |
| David Niven | ... | Raymond | |
| Jean Seberg | ... | Cecile - Raymond's daughter | |
| Mylène Demongeot | ... | Elsa | |
| Geoffrey Horne | ... | Philippe | |
| Juliette Gréco | ... | Herself as a night club singer. | |
| Walter Chiari | ... | Pablo | |
| Martita Hunt | ... | Philippe's Mother | |
| Roland Culver | ... | Mr. Lombard | |
| Jean Kent | ... | Mrs. Helen Lombard | |
| David Oxley | ... | Jacques | |
| Elga Andersen | ... | Denise | |
| Jeremy Burnham | ... | Hubert | |
| Eveline Eyfel | ... | Maid | |
| rest of cast listed alphabetically: | |||
| Tutte Lemkow | ... | Pierre Schube (uncredited) | |
| Maryse Martin | ... | (uncredited) | |
Directed by | |||
| Otto Preminger | |||
Writing credits | ||
| Françoise Sagan | (novel) (as Francoise Sagan) | |
| Arthur Laurents | (screenplay) | |
Produced by | |||
| John Palmer | .... | associate producer | |
| Otto Preminger | .... | producer | |
Original Music by | |||
| Georges Auric | |||
Cinematography by | |||
| Georges Périnal | (as George Perinal) | ||
Film Editing by | |||
| Helga Cranston | |||
Production Design by | |||
| Roger K. Furse | (as Roger Furse) | ||
Art Direction by | |||
| Ray Simm | (as Raymond Simm) | ||
Makeup Department | |||
| Gordon Bond | .... | hair stylist | |
| George Frost | .... | makeup artist | |
| Janou Pottier | .... | hair stylist | |
Production Management | |||
| Erica Masters | .... | production manager | |
| Philippe Senné | .... | production manager (as Philippe Senne) | |
Second Unit Director or Assistant Director | |||
| Serge Friedman | .... | assistant director | |
| Adrian Pryce-Jones | .... | assistant director | |
Art Department | |||
| Kumi Sugai | .... | paintings | |
Sound Department | |||
| David Hawkins | .... | sound editor | |
| David Hildyard | .... | sound | |
| Red Law | .... | sound | |
Camera and Electrical Department | |||
| Denys N. Coop | .... | camera operator (as Denys Coop) | |
| Wally Fairweather | .... | focus puller (uncredited) | |
| Robert Willoughby | .... | special still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Hope Bryce | .... | costume coordinator | |
| May Walding | .... | wardrober | |
Music Department | |||
| Lambert Williamson | .... | conductor | |
Other crew | |||
| Saul Bass | .... | title designer | |
| Eileen Head | .... | script supervisor | |
| Tutte Lemkow | .... | choreographer: dances | |
| Max Slater | .... | assistant to producer | |
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| Basic Instinct | Two for the Road | The Nanny Diaries | The Phantom of the Opera | Titanic |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Jean Seberg is an absolute joy. I just wanna give her a big fat hug and kiss... well that's just two things anyway. What makes Otto Preminger's film so wonderful is that Seberg is the right age to play the part of a spoiled rich girl coming of age. Also the film is given an authenticity and heart because it was written by Françoise Sagan when she was the same age as Cecile (Seberg). That's right, this amazing and brilliant work was penned by a 17-year old.
The plot is fairly standard. A young girl living with her playboy father becomes jealous of his new love and when marriage is proposed she does her best to break it up. Gee nothing remarkable there. What is remarkable is the characters and their relationships. They have an extra amount of depth and the situation between Cecile and her father, Raymond (David Niven) borders on the incestuous. This gives it an added dimension and depth when Anne (Deborah Kerr) threatens to "steal" her father away. Another place where it avoids clichés is dealing with Anne. Kerr plays her magnificently and with a warm passion. She is not the wicked step mother here, but a sympathetic and self sacrificing woman who wants to bring love and stability into Cecile and Raymond's morally ambiguous and flighty lifestyle. This film while a modest success in America was a huge hit in Europe and inspired Jean-Luc Godard to work with Seberg.
Bonjour Tristesse also foreshadowed the films dealing with the idle rich that quickly popped up in its wake including two masterpieces, Antonioni's L'avventura and Fellini's La Dolce Vita. Preminger directs Bonjour Tristesse with a sure hand and I love how the flashbacks are in color and the present day scenes are in a somber black and white to fit with the mood. Oh and yes the story is told in flashback for the most part and the technique along with Seberg's narration gives a heightened sense of loss that Cecile and Raymond feel towards the events that transpired concerning Anne. Remarkable film and Seberg is so delightful and hot running around in her bathing suit practically the whole time.
Grade: A