Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at ... See full summary »
Paul Javal is a writer who is hired to make a script for a new movie about Ulysses more commercial, which is to be directed by Fritz Lang and produced by Jeremy Prokosch. But because he let... See full summary »
Cecile, decadent young girl who lives with her rich playboy father Raymond. When Anne, Raymond's old love interest, comes to Raymond's villa, Cecile is afraid for her way of life. Written by
Dragan Antulov <email@example.com>
Preminger always liked this film, although he felt the American critics did not do it justice. The film was a qualified success in France, yet American critics felt the film wasn't French enough, a detail that amused Preminger. See more »
We hear the Band at c.6'50" and we see a clarinet-player performing, but the music has no clarinet part whatsoever included at that point in the soundtrack. Later, when the clarinet does eventually join the soundtrack, the fingering of the player bears absolutely no relation to the music actually being heard. See more »
Albertine! I mean Léontine! Slight maid problem. Some weird sisters rotate working for us.
Every week one or the other is suddenly stricken with some odd malady. Maybe it's us.
Léontine has a bad liver. I am her sister, Claudine.
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This is an absorbing, intriguing and slightly bizarre film. I agree with the other comments here - the camera work is beautiful, the Riviera looks fab, Seberg is startling, and David Niven (how come no-one's mentioned his performance yet?) is a particularly slimy, lecherous old man. Seberg really does deliver an excellent performance. She's a fascinating person anyway, and here her ambiguity, her modernity, her beauty and her youth all come into their own. And the title song's fab too! Well worth a watch, if only to revel in the stunning scenery and Seberg's haunting screen presence.
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