Cecile, decadent young girl who lives with her rich playboy father Raymond. When Anne, Raymond's old love interest, comes to Raymond's villa, Cecile is afraid for her way of life.
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Director:
Milos Forman
Stars:
Michael Berryman,
Peter Brocco,
Louise Fletcher
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Director:
Jean-Luc Godard
Stars:
Brigitte Bardot,
Michel Piccoli,
Jack Palance
Cecile, decadent young girl who lives with her rich playboy father Raymond. When Anne, Raymond's old love interest, comes to Raymond's villa, Cecile is afraid for her way of life. Written by
Dragan Antulov <dragan.antulov@altbbs.fido.hr>
Preminger always liked this film, although he felt the American critics did not do it justice. The film was a qualified success in France, yet American critics felt the film wasn't French enough, a detail that amused Preminger. See more »
Goofs
We hear the Band at c.6'50" and we see a clarinet-player performing, but the music has no clarinet part whatsoever included at that point in the soundtrack. Later, when the clarinet does eventually join the soundtrack, the fingering of the player bears absolutely no relation to the music actually being heard. See more »
Quotes
Cecile:
Albertine! I mean Léontine! Slight maid problem. Some weird sisters rotate working for us.
Anne Larson:
Weird? How?
Cecile:
Every week one or the other is suddenly stricken with some odd malady. Maybe it's us.
Maid:
Yes, Mademoiselle?
Cecile:
Oh! Léontine...
Maid:
Léontine has a bad liver. I am her sister, Claudine.
See more »
This is an absorbing, intriguing and slightly bizarre film. I agree with the other comments here - the camera work is beautiful, the Riviera looks fab, Seberg is startling, and David Niven (how come no-one's mentioned his performance yet?) is a particularly slimy, lecherous old man. Seberg really does deliver an excellent performance. She's a fascinating person anyway, and here her ambiguity, her modernity, her beauty and her youth all come into their own. And the title song's fab too! Well worth a watch, if only to revel in the stunning scenery and Seberg's haunting screen presence.
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This is an absorbing, intriguing and slightly bizarre film. I agree with the other comments here - the camera work is beautiful, the Riviera looks fab, Seberg is startling, and David Niven (how come no-one's mentioned his performance yet?) is a particularly slimy, lecherous old man. Seberg really does deliver an excellent performance. She's a fascinating person anyway, and here her ambiguity, her modernity, her beauty and her youth all come into their own. And the title song's fab too! Well worth a watch, if only to revel in the stunning scenery and Seberg's haunting screen presence.