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Blood of the Vampire (1958)

16 | | Horror, Sci-Fi | October 1958 (USA)
A man and wife are terrorized by Mad Scientist Dr. Callistratus who was executed but has returned to life with a heart transplant. Along with his crippled assistant Carl, the 'anemic' Mad ... See full summary »

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Cast

Cast overview, first billed only:
...
Doctor Callistratus
Vincent Ball ...
Dr. John Pierre
...
Madeleine Duval
Victor Maddern ...
Carl
William Devlin ...
Kurt Urach
Andrew Faulds ...
Chief Guard Wetzler
...
Judge
Bryan Coleman ...
Monsieur Auron
Cameron Hall ...
Drunken Doctor
George Murcell ...
First Guard
Julian Strange ...
Second Guard
Bruce Wightman ...
Third Guard (as Bruce Whiteman)
Barbara Burke ...
Housekeeper
...
Tall Sneak Thief
Hal Osmond ...
Small Sneak Thief
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Storyline

A man and wife are terrorized by Mad Scientist Dr. Callistratus who was executed but has returned to life with a heart transplant. Along with his crippled assistant Carl, the 'anemic' Mad Scientist, believed to be a vampire, conducts blood deficiency research on the inmates of a prison hospital for the criminally insane to sustain his return to life. Written by Mysty <rharvey@flash.net>

Plot Summary | Plot Synopsis

Taglines:

He begins where Dracula left off! See more »

Genres:

Horror | Sci-Fi

Certificate:

16 | See all certifications »
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Details

Country:

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Release Date:

October 1958 (USA)  »

Also Known As:

Der Dämon mit den blutigen Händen  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Magnetic Video's edition is the first horror film released in the VHS format. See more »

Goofs

Kurt Urach's date of death is given as 1881 in the paper, but 1892 on his tombstone. See more »

Connections

Referenced in Sex o no sex (1974) See more »

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User Reviews

 
BLOOD OF THE VAMPIRE (Henry Cass, 1958) **1/2
19 October 2008 | by (Naxxar, Malta) – See all my reviews

Decent Hammer imitation with a script by that studio's chief scribe, Jimmy Sangster. Producers Monty Berman and Robert S. Baker competed with Hammer in the horror stakes during the late 1950s/early 1960s (with Berman usually doubling also as cinematographer) via such efforts – besides the one under review which was actually their first – as THE TROLLENBERG TERROR aka THE CRAWLING EYE (1958), JACK THE RIPPER (1959), THE FLESH AND THE FIENDS (1960) and THE HELLFIRE CLUB (1961). Director Cass is best-known (if at all) for the Alec Guinness comedy LAST HOLIDAY (1950), itself recently retooled for the dubious talents of Queen Latifah!

The film (which I had been looking forward to for ages after viewing stills from it in critiques of the genre penned by film historian Alan Frank) is a lurid melodrama in vivid color and with, pardon the pun, full-blooded performances – but the contrived end result somehow misses the mark. For starters, the script seems uncertain whether it wants to be a Dracula (given its title and 'bloodthirsty' villain) or a Frankenstein (in view of the villain's guinea-pig experimentations with moribund or dead subjects) clone; the fact that it is almost entirely set in a mental institution-cum-prison (that includes future "Carry On" member Bernard Bresslaw as a rowdy jailbird) brings forth comparisons with the superior final Hammer Frankenstein entry FRANKENSTEIN AND THE MONSTER FROM HELL (1974)!

Distinguished thespian Donald Wolfit is surprisingly but effectively cast in the lead, while Victor Maddern has a memorable look as his knife-wielding henchman (although, again, bearing hideous features that are never explained); future Hammer startlet Barbara Shelley and Vincent Ball (playing a character saddled with the amusing name of John Pierre!), then, are reasonably appealing as the romantic leads. The rousing score is equally notable – as is a nasty climax featuring a pack of wild dogs prefiguring the one in Georges Franju's EYES WITHOUT A FACE (1959)! Incidentally, there is a very noticeable jump-cut during one of the lab scenes (suggesting that the film had censorship issues back in the day); incidentally, the Dark Sky DVD – which cleverly pairs it with the aforementioned THE HELLFIRE CLUB – amusingly allowed one to watch the show just as if it were playing in an old-fashioned Drive-In (complete with a host of schlocky trailers, ads and announcements)…


6 of 6 people found this review helpful.  Was this review helpful to you?

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