Dr. Warren Chapin is a pathologist who regularly conducts autopsies on executed prisoners at the State prison. He has a theory that fear is the result of a creature that inhabits all of us.... See full summary »
A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
A shower of meteorites produces a glow that blinds anyone that looks at it. As it was such a beautiful sight, most people were watching, and as a consequence, 99% of the population go blind... See full summary »
A mysterious creature from another planet, resembling a giant blob of jelly, lands on earth. The people of a nearby small town refuse to listen to some teenagers who have witnessed the blob's destructive power. In the meantime, the blob just keeps on getting bigger. Written by
The actual Blob, a mixture of red dye and silicone, is still kept in the original five-gallon pail in which it was shipped to the production company in 1958 from Union Carbide. It was put on display over the years as a part of the annual Blobfest, held over a three-day period each summer in Phoenixville, PA, which provided a number of the shooting locales for the film. In addition to displaying the Blob and miniatures used in the shooting, the event features a reenactment of the famous scene in which panicked theatergoers rush to exit the town's still-functioning Colonial Theater, as well as several showings of the film. See more »
When a shot from outside the diner shows the blob climbing onto it, the diner is clearly only a photograph, as you can see the blob make a clear shadow on the diner, the sky, and the street. See more »
Man in crowd:
[as the young folk return from the school with the CO2 fire extinguishers]
Hey! Here come the kids back!
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SPOILER: When the movie ends it shows the blob being dropped into the Arctic."THE END "appears and changes into a question mark. See more »
This movie is of almost generation-defining importance to some of us born in the early post-war years in that (and especially if you were born between 1946 and 1953 and loved spending Saturday afternoons at your neighborhood movie house) you almost certainly saw it. And the memory of seeing it has probably stayed with you. It's style is the stuff of a brief and somehow gloriously exciting moment in our growing up days.
It had a modern, space-age storyboard for the audiences of it's time. The set was any town with a supermarket and a movie theater that would be packed for a Friday midnight show. It has hot rods and rebellious youth, but in the 'why can't they let us have fun' way rather than the disturbed, histrionic rebel-without-a-cause way. All characters were identifiable to us - teens, parents, the old man, the doctor, the nurse, the mechanic, the boy, the puppy, even the cops - were sympathetic to us. We could relate to them all
It had a singularly horrifying monster. It's first victim is heard moaning 'it hurts.....it hurts' and we were convinced and frightened. The menace grows continually throughout the story. There are intense periods of suspense, colourful effects, a fabulous lead in McQueen, and moments of humour, both intended and not. It even had an almost over-the-top sad part to make the more sensitive of us feel like crying.
I saw it in summer, age 9 or so, double billed with 'I Married A Monster From Outer Space', and was so thrilled by the experience of this particular double feature that I went back a couple more times before it left. Everyone I knew saw it. Everyone I knew loved it.
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