A technician brings a frozen specimen of the original Blob back from the North Pole. When his wife accidentally defrosts the thing, it terrorizes the populace, including the local hippies, kittens, and bowlers.
Robert Walker Jr.,
A mysterious creature from another planet, resembling a giant blob of jelly, lands on earth. The people of a nearby small town refuse to listen to some teenagers who have witnessed the blob's destructive power. In the meantime, the blob just keeps on getting bigger. Written by
The title song "The Blob" was co-written by Burt Bacharach and is on his album "Look of Love:Tthe Burt Bacharach Collection." Paramount tapped Bacharach and Mack David (brother of Bacharach's usual writing partner, Hal David) to come up with a non-threatening theme that would prevent the faint of heart from going into nostril-flaring terror during the opening credits. Together they came up with "The Blob," a goofy musical creature that is one part "Temptation" to two parts "Tequila." Session singer Bernie Nee does the champagne-cork-popping honors by pulling his finger out of his cheek seven times. Only Ralph Carmichael's score received a screen credit, giving credence to the notion that the song was a last-minute addition. The Five Blobs turned out to be a phantom group that consisted of Bacharach, a bunch of musicians for hire and Nee, who tracked his voice five times to achieve that Boris Karloff-esque quality. See more »
Steve is supposed to be a young guy/teenager, yet his wedding ring is clearly visible toward the end of the movie. See more »
[hysterical after they just escaped the Blob]
Steve... our parents think we're in bed, at home, safe, asleep, sound.
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SPOILER: When the movie ends it shows the blob being dropped into the Arctic."THE END "appears and changes into a question mark. See more »
This movie is of almost generation-defining importance to some of us born in the early post-war years in that (and especially if you were born between 1946 and 1953 and loved spending Saturday afternoons at your neighborhood movie house) you almost certainly saw it. And the memory of seeing it has probably stayed with you. It's style is the stuff of a brief and somehow gloriously exciting moment in our growing up days.
It had a modern, space-age storyboard for the audiences of it's time. The set was any town with a supermarket and a movie theater that would be packed for a Friday midnight show. It has hot rods and rebellious youth, but in the 'why can't they let us have fun' way rather than the disturbed, histrionic rebel-without-a-cause way. All characters were identifiable to us - teens, parents, the old man, the doctor, the nurse, the mechanic, the boy, the puppy, even the cops - were sympathetic to us. We could relate to them all
It had a singularly horrifying monster. It's first victim is heard moaning 'it hurts.....it hurts' and we were convinced and frightened. The menace grows continually throughout the story. There are intense periods of suspense, colourful effects, a fabulous lead in McQueen, and moments of humour, both intended and not. It even had an almost over-the-top sad part to make the more sensitive of us feel like crying.
I saw it in summer, age 9 or so, double billed with 'I Married A Monster From Outer Space', and was so thrilled by the experience of this particular double feature that I went back a couple more times before it left. Everyone I knew saw it. Everyone I knew loved it.
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