In the early 1900's Tennessee, a loving family undergoes the shock of the father's sudden, accidental death. The widow and her young son must endure the heartache of life following the ... See full summary »
Retired, wealthy sea Captain Jame McKay arrives in the vast expanse of the West to marry fiancée Pat Terrill. McKay is a man whose values and approach to life are a mystery to the ranchers and ranch foreman Steve Leech takes an immediate dislike to him. Pat is spoiled, selfish and controlled by her wealthy father, Major Henry Terrill. The Major is involved in a ruthless civil war, over watering rights for cattle, with a rough hewn clan led by Rufus Hannassey. The land in question is owned by Julie Maragon and both Terrill and Hannassey want it. Written by
E.W. DesMarais <firstname.lastname@example.org>
Jean Simmons was so traumatized by the experience making the film that she refused to talk about it for years until an interview in the late eighties when she revealed, "We'd have our lines learned, then receive a rewrite, stay up all night learning the new version, then receive yet another rewrite the following morning. It made the acting damned near impossible." See more »
In the barn scene, Alfonso Bedoya puts a blanket on the horse. The horse promptly turns his head and pulls off the blanket. Gregory Peck can be seen suddenly turning away from the camera, and putting his hand over his mouth to suppress a laugh. See more »
The Big Country was passed over by the professional critics as being empty, ernest, and not enough sweep to be called a true epic. Well, I remember seeing The Big Country and was properly swept off my feet by the grand scale of the Big Country, the death feud between Burl Ives and Charles Bickford, the shaky and doomed romance between Gregory Peck and the spoiled Carroll Baker and the quiet understanding between Peck and the lovely Jean Simmons, but most of all, the thing that propelled me to see The Big Country over and over was the magnificant score by Jerome Moross. Sure, I could site many scores that have aided films to glory, Max Steiner for The Letter, Maurice Jarre for Lawrence of Arabia, Miklos Roza for an excellent score for a weak epic Land of the Pharaohs, and Hans Zimmer for an excellent score for a great epic Gladiator but I still say that for a western you can't get any better than the magnificant score for The Big Country. The sweep and majesty and the quiet moments of Jerome Moross's music sets the tone for this truly underated movie. United Artist released the music on LP and I wore mine out along with my neighbors complaints, I now own an excellent CD produced by SILVA SCREEN which I can't wear out. All in all see The Big Country on your big screen in Widescreen and give yourself a real treat. Who needs Giant?
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