Jim Douglas has been relentlessly pursuing the four outlaws who murdered his wife, but finds them in jail about to be hanged. While he waits to witness their execution, they escape; and the... See full summary »
Retired, wealthy sea Captain Jame McKay arrives in the vast expanse of the West to marry fiancée Pat Terrill. McKay is a man whose values and approach to life are a mystery to the ranchers and ranch foreman Steve Leech takes an immediate dislike to him. Pat is spoiled, selfish and controlled by her wealthy father, Major Henry Terrill. The Major is involved in a ruthless civil war, over watering rights for cattle, with a rough hewn clan led by Rufus Hannassey. The land in question is owned by Julie Maragon and both Terrill and Hannassey want it. Written by
E.W. DesMarais <firstname.lastname@example.org>
Then US President Dwight D. Eisenhower gave the movie four consecutive showings at the White House and called it "simply the best film ever made. My number one favorite film." See more »
When Steve Leech first picks up Jim McKay in the buckboard he drives past Buck Hannassey and gang standing outside the saloon mocking Steve. The sun is nearly down as the shadows are very long. Steve then drives around the corner to Julie's house and now the sun is directly overhead. See more »
Well, even when you rode Old Thunder, everybody knew it. Ramon knew it. Julie knew it. But me? Not a word. Why? You know how much it meant to me... with everybody laughing at me. And don't tell me they weren't. But you wouldn't do it for me. Why not? Why not for me?
There's some things a man has to prove to himself alone... not to anyone else.
Not even to the woman he loves.
Least of all her... if she loves him.
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The Big Country was passed over by the professional critics as being empty, ernest, and not enough sweep to be called a true epic. Well, I remember seeing The Big Country and was properly swept off my feet by the grand scale of the Big Country, the death feud between Burl Ives and Charles Bickford, the shaky and doomed romance between Gregory Peck and the spoiled Carroll Baker and the quiet understanding between Peck and the lovely Jean Simmons, but most of all, the thing that propelled me to see The Big Country over and over was the magnificant score by Jerome Moross. Sure, I could site many scores that have aided films to glory, Max Steiner for The Letter, Maurice Jarre for Lawrence of Arabia, Miklos Roza for an excellent score for a weak epic Land of the Pharaohs, and Hans Zimmer for an excellent score for a great epic Gladiator but I still say that for a western you can't get any better than the magnificant score for The Big Country. The sweep and majesty and the quiet moments of Jerome Moross's music sets the tone for this truly underated movie. United Artist released the music on LP and I wore mine out along with my neighbors complaints, I now own an excellent CD produced by SILVA SCREEN which I can't wear out. All in all see The Big Country on your big screen in Widescreen and give yourself a real treat. Who needs Giant?
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