Jim Douglas has been relentlessly pursuing the four outlaws who murdered his wife, but finds them in jail about to be hanged. While he waits to witness their execution, they escape; and the... See full summary »
Capt. Richard Lance is unjustly held responsible, by his men and girlfriend, for an Indian massacre death of beloved Lt. Holloway. Holloway is killed while escorting a dangerous Indian ... See full summary »
Roistering sea captain Jonathan Clark, who poaches seal pelts from Russian Alaska, meets and woos Russian countess Marina in 1850 San Francisco. Events separate them, but after an exciting ... See full summary »
Toward the end of his life F. Scott Fitzgerald is writing for Hollywood studios to be able to afford the cost of an asylum for his wife. He is also struggling against alcoholism. Into his life comes the famous gossip columnist.
Retired, wealthy sea Captain Jame McKay arrives in the vast expanse of the West to marry fiancée Pat Terrill. McKay is a man whose values and approach to life are a mystery to the ranchers and ranch foreman Steve Leech takes an immediate dislike to him. Pat is spoiled, selfish and controlled by her wealthy father, Major Henry Terrill. The Major is involved in a ruthless civil war, over watering rights for cattle, with a rough hewn clan led by Rufus Hannassey. The land in question is owned by Julie Maragon and both Terrill and Hannassey want it. Written by
E.W. DesMarais <firstname.lastname@example.org>
The film is credited with starting the trend for pacifist westerns. See more »
The S-shaped portion of the canyon where Hannassey's men trap Terrill and his ranch hands between barriers is the same location (supposedly further down the canyon) where Terrill later walks to confront Hannassey. A large round, white boulder can be seen half-way up the middle of the far canyon wall in all of the aerial shots and over Gregory Peck's head in the final ground-level shot when the shoot-out concludes. See more »
There's no prettier sight in the world than 10,000 head of cattle... unless it's 50,000.
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There are many things to enjoy in 'The Big Country'. The landscape itself is a character that seems overwhelming. There are many panoramic shots of it, sweeping out to a misty horizon. All beautifully photographed. This big country seems to glow and the film gets an appropriate music score, sweeping and colourful. It must be one of the most perfect film scores written.
In this breathtaking landscape the story of the characters unfold with their prides, jealousies, fears, loves, pretensions, hopes, disappointments. The actors are first rate and convey lots of feeling not just in dialogue but in looks. It is worth seeing more than once to catch the emotional nuances. This is a film with space in lots of senses and it gives the cast time to flesh out their characters. In all the splendid acting I have a particular admiration for Chuck Connors in a performance of a lifetime. His Buck Hennassey is a coward and a bully yet you can't help feeling sorry for him in the end.
There is also the political undertones, the oft quoted Cold War parallels, embodied in the confrontation between Bickford and Ives of mutually assured destruction, that was an ever present issue in the late fifties. Bickford and Ives have narrow self interested vision that portends destruction, while the Peck character has a wider view of co-operation and fairness. (In an illuminating exchange at the engagement party a guest asks Peck if he has seen anything bigger than the 'big country' and Peck replies to the guest's astonishment that he has, a couple of oceans!) It is the outsider who sees clearest.
William Wyler was a great director and made a great film to be enjoyed on many levels. It is an aural and visual treat but the film also has believable characters performed by a superior cast. And I can't stop humming that theme tune....
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