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Le Beau Serge (1958)
"Le beau Serge" (original title)

 -  Drama  -  January 1959 (USA)
7.2
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Ratings: 7.2/10 from 1,416 users  
Reviews: 14 user | 33 critic

Francois comes back to his home village in France after more than a decade. He notices that the village hasn't changed much, but the people have, especially his old friend Serge who has ... See full summary »

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Title: Le Beau Serge (1958)

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Cast

Complete credited cast:
Gérard Blain ...
Serge
...
François Baillou
Michèle Méritz ...
Yvonne
Bernadette Lafont ...
Marie
Claude Cerval ...
The priest
Jeanne Pérez ...
Madame Chaunier
Edmond Beauchamp ...
Glomaud
André Dino ...
Michel, the doctor
Michel Creuze ...
The baker
...
La Truffe
Philippe de Broca ...
Jacques Rivette de la Chasuble
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Storyline

Francois comes back to his home village in France after more than a decade. He notices that the village hasn't changed much, but the people have, especially his old friend Serge who has become a drunkard. Francois now tries to find out what happened to him and tries to help him. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

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Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

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Language:

Release Date:

January 1959 (USA)  »

Also Known As:

Bitter Reunion  »

Filming Locations:


Box Office

Budget:

FRF 37,000,000 (estimated)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Generally considered to be the first film in the French Nouvelle Vague movement. See more »

Connections

Referenced in Henri Langlois: The Phantom of the Cinémathèque (2004) See more »

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User Reviews

 
Almost There
7 October 1999 | by (Boston, MA) – See all my reviews

In what is considered the first film of the French New Wave, Claude Chabrol gives us a hypnotic vision of opposites in the same style as Hitchcock's Shadow of a Doubt. Le Beau Serge follows the story of Francois, a young man who returns to his home town after twelve years, who finds that the town is dying. His landlady even tells him that everyone will be gone soon enough. In particular, he finds that a once-promising childhood friend, Serge, is trapped as an alcoholic in a loveless marriage.

The brilliance of the film lies not in its storytelling (it is quite slow at parts) nor its acting (most of the actors were non-professionals) but in its structure. Everything is seen in doubles. Francois and Serge are two sides to the same coin. Each has an elder counterpart. Each has a female relation which seems to switch off at times. Serge has both a wife and a mistress who is at one point Francois girlfriend; at the same time, Serge's wife becomes morally attached to Francois. In addition, scenes are doubled; two scenes in the cemetary, two implied sexual scenes in Glomaud's home, two turns by Francois and Michel at the beginning, the list goes on and on. Furthermore, entire shots are doubled with different couples in each. It is brilliant.

In addition, the film looks as if it were unpolished (which is a basic tenet of the New Wave), but it looks as if it was a director's first attempt. But that's not necessarily a bad thing.

The greatest detraction (apart from the sometimes overacting) is the musical score. It is extremely discordant with regards to the movie. Minimal scenes such as Serge exiting his house are accompanies by percussion that sounds as if it were a harbinger of doom. I don't know if Chabrol wanted this, but it becomes irritating and causes the viewer to laugh at the film.

As an added note, watch for the parallels of Francois and Serge with the town's children. The kids pop up everywhere.


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