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Auntie Mame (1958)

 -  Comedy | Drama  -  27 December 1958 (USA)
8.0
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Ratings: 8.0/10 from 7,156 users  
Reviews: 101 user | 18 critic

An orphan goes to live with his free-spirited aunt. Conflict ensues when the executor of his father's estate objects to the aunt's lifestyle.

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(screenplay), (screenplay), 1 more credit »
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Title: Auntie Mame (1958)

Auntie Mame (1958) on IMDb 8/10

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Nominated for 6 Oscars. Another 6 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Coral Browne ...
...
...
...
Lindsay Woolsey
Peggy Cass ...
Jan Handzlik ...
...
...
Lee Patrick ...
Willard Waterman ...
Robin Hughes ...
Brian O'Bannion
Connie Gilchrist ...
Norah Muldoon
Yuki Shimoda ...
Ito
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Storyline

Mame is an unconventional individualist socialite from the roaring 20's. When her brother dies, she is forced to raise her nephew Patrick. However, Patrick's father has designated an executor to his will to protect the boy from absorbing too much of Mame's rather unconventional perspective. Patrick and Mame become devoted to each other in spite of this restriction, and together journey through Patrick's childhood and the great depression, amidst some rather zaney adventures. Written by Ross Thompson <thompson@adobe.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 December 1958 (USA)  »

Also Known As:

Die tolle Tante  »

Box Office

Budget:

$2,240,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The movie's line "Life is a banquet, and most poor suckers are starving to death." was voted as the #94 of "The 100 Greatest Movie Lines" by Premiere in 2007. See more »

Goofs

After Beauregard takes a picture of Mame in Egypt, he mounts a two humped camel, which are native to Asia. The one humped Dromedaries are the native camels in Egypt. See more »

Quotes

Dwight Babcock: For nine years, Mame Dennis Burnside, I have done everything in my power to protect this boy from your idiotic, cockeyed nincompoopery.
See more »

Connections

Referenced in The Dick Van Dyke Show: My Two Showoffs and Me (1964) See more »

Soundtracks

It Came Upon a Midnight Clear
(1850) (uncredited)
Music by Richard Storrs Willis (1850) (uncredited)
Lyrics by Edmund Hamilton Sears (1849) (uncredited)
Played and sung after Mame leaves Macy's
See more »

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User Reviews

 
"She's the Pied Piper!"
20 August 2007 | by (las vegas, nv) – See all my reviews

From the cartoon kaleidoscope opening to the last walk up the staircase for Mame Dennis, this comically-contrived and highly theatrical movie version of the celebrated Broadway success is nevertheless pleasing in almost every sense. Director Morton DaCosta, who also helmed the stage version, uses the theatricality of the piece to his advantage, giving the proceedings the shiny look and feel of a holiday bauble. The movie takes off running, bursting with chatter and frivolity, and Rosalind Russell is a great crazy-quilt hostess, often going in three directions at once. The story of an orphaned lad in 1928 who goes to live with his batty aunt in New York City started life as a book by Patrick Dennis, with Russell playing the lead once it was turned into a play. The film-version doesn't try to disguise the stage origins, but then it doesn't really have to; DaCosta keeps the pacing so brisk, with characters entering and exiting rapidly, that initially the viewer may feel as though something important may have been missed. The picture isn't loaded down with artificial charm. On the contrary, the romantic sub-plot between Russell and oil tycoon Forrest Tucker (which, again, is quick--in and out) is genuinely sweet (this is Tucker's triumph as much as it is Russell's) and the supporting players are impeccably well-cast, bouncing off each other like frenetic ornaments. While the plot does slip into an episodic structure (and does feel a bit lengthy), the smooth maneuvering of characters and quirks and hang-ups and hang-overs is an awful lot of fun. As for Russell, she gives shading and feeling to this woman; her exuberance can be taken as a put-on (for laughs), yet we never lose sight of Mame Dennis as a ballsy, bright lady, and she never lapses into bitchiness. Mame may have been real, or maybe just a literary confection, but she isn't a phony. She believes life is a banquet, and gets us to believe it too. *** from ****


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Why do so many gay people love this film? richow
Help! What is the difference between this and 'Mame'? jtr240
Favourite line(s)? robwave
Has anyone read the book by Patrick Denis? devil_mergirl
A couple 'music videos' for Auntie Mame fans. fantabulany
Where was Beau's estate? edalweber
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