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The musical revolves around the antics of Mame Dennis, a fun-loving, wealthy eccentric with a flare for life and a razor sharp wit. Her life is suddenly changed when she becomes the ... See full summary »
A small boy abandoned in the jungle and raised by a benevolent group of apes slowly begins to realize that he isn't quite like the rest of his primate family in this touching meditation on the bond shared between man and beast.
Mame is an unconventional individualist socialite from the roaring 20's. When her brother dies, she is forced to raise her nephew Patrick. However, Patrick's father has designated an executor to his will to protect the boy from absorbing too much of Mame's rather unconventional perspective. Patrick and Mame become devoted to each other in spite of this restriction, and together journey through Patrick's childhood and the great depression, amidst some rather zaney adventures. Written by
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The technique Rosalind Russell uses to interrupt and insult Mr. Babcock - "Nuts?" - was previously used against her character "Sylvia Fowler" in The Women (1939) after Sylvia's line "I wouldn't dream of hurting Mary". See more »
After Beauregard takes a picture of Mame in Egypt, he mounts a two humped camel, which are native to Asia. The one humped Dromedaries are the native camels in Egypt. See more »
Well, now, uh, read me all the words you don't understand.
Libido, inferiority complex, stinko, blotto, free love, bathtub gin, monkey glands, Karl Marx... is he one of the Marx Brothers?
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Rosalind Russel in the role of a lifetime. Auntie Mame leads her beloved nephew on a roller-coaster ride from riches to rags back to riches, always teaching the boy to "live life to the fullest". The story begins just prior to the great stock market crash of 1929 and spins into present day (1958).
There are delightful moments with colorful characters, most noteworthy "Miss Gooch", an unwed mother and thus an outcast of respectable society. There are several touching scenes when the family is suffering in the great depression, but just as many funny ones, i. e. where Auntie Mame puts some biggoted snobs in their place.
I enjoyed this film slightly more than the later Lucille Ball musical version. Although Rosalind Russel is quite flamboyant, Lucille Ball is completely "over the top" and thus less credible. I recommend the 1958 original over the remake, although both are wonderful entertainment.
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