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Auntie Mame (1958)

Unrated | | Comedy, Drama, Romance | 27 December 1958 (USA)
An orphan goes to live with his free-spirited aunt. Conflict ensues when the executor of his father's estate objects to the aunt's lifestyle.

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(screenplay), (screenplay) | 1 more credit »
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Nominated for 6 Oscars. Another 4 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Coral Browne ...
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Lindsay Woolsey
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Jan Handzlik ...
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Brian O'Bannion
Connie Gilchrist ...
Norah Muldoon
Yuki Shimoda ...
Ito
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Storyline

Mame is an unconventional individualist socialite from the roaring 20's. When her brother dies, she is forced to raise her nephew Patrick. However, Patrick's father has designated an executor to his will to protect the boy from absorbing too much of Mame's rather unconventional perspective. Patrick and Mame become devoted to each other in spite of this restriction, and together journey through Patrick's childhood and the great depression, amidst some rather zaney adventures. Written by Ross Thompson <thompson@adobe.com>

Plot Summary | Add Synopsis

Taglines:

All Set to Convulse America All Over Again!

Genres:

Comedy | Drama | Romance

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

27 December 1958 (USA)  »

Also Known As:

Die tolle Tante  »

Box Office

Budget:

$2,240,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The story opens in 1928 according to Dennis' will and closes in 1946 according to Mame's telegram. Patrick is 10 years old when story opens, so he's only 28 at the end, but he has a 10-year-old son. At Mame's party for the Upsons, Babcock complains he's had to deal with Mame for 9 years so it's 1937. At this party Patrick, who must be only 19 and still a college student, meets Pegeen for the first time. Even if they married the next day, they couldn't had have a 10-year-old son in 1946. The entire action of the story takes place in 18 years, between 1928 and 1946. See more »

Goofs

When Mame is sitting on the bar stool having a cocktail at the Upson's house, the napkin in her right hand disappears and then reappears. See more »

Quotes

Mame Dennis: Please dear, your Auntie Mame's hung.
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Connections

Referenced in Queer as Folk: One Ring to Rule Them All (2003) See more »

Soundtracks

Tea for Two
(1925) (uncredited)
Music by Vincent Youmans
Played off-screen on piano ay Mame's party
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Frequently Asked Questions

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User Reviews

 
"She's the Pied Piper!"
20 August 2007 | by (las vegas, nv) – See all my reviews

From the cartoon kaleidoscope opening to the last walk up the staircase for Mame Dennis, this comically-contrived and highly theatrical movie version of the celebrated Broadway success is nevertheless pleasing in almost every sense. Director Morton DaCosta, who also helmed the stage version, uses the theatricality of the piece to his advantage, giving the proceedings the shiny look and feel of a holiday bauble. The movie takes off running, bursting with chatter and frivolity, and Rosalind Russell is a great crazy-quilt hostess, often going in three directions at once. The story of an orphaned lad in 1928 who goes to live with his batty aunt in New York City started life as a book by Patrick Dennis, with Russell playing the lead once it was turned into a play. The film-version doesn't try to disguise the stage origins, but then it doesn't really have to; DaCosta keeps the pacing so brisk, with characters entering and exiting rapidly, that initially the viewer may feel as though something important may have been missed. The picture isn't loaded down with artificial charm. On the contrary, the romantic sub-plot between Russell and oil tycoon Forrest Tucker (which, again, is quick--in and out) is genuinely sweet (this is Tucker's triumph as much as it is Russell's) and the supporting players are impeccably well-cast, bouncing off each other like frenetic ornaments. While the plot does slip into an episodic structure (and does feel a bit lengthy), the smooth maneuvering of characters and quirks and hang-ups and hang-overs is an awful lot of fun. As for Russell, she gives shading and feeling to this woman; her exuberance can be taken as a put-on (for laughs), yet we never lose sight of Mame Dennis as a ballsy, bright lady, and she never lapses into bitchiness. Mame may have been real, or maybe just a literary confection, but she isn't a phony. She believes life is a banquet, and gets us to believe it too. *** from ****


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