Jeffery, a young gay man in New York, decides that sex is too much and decided to become celibate. He immediately meets the man of his dreams and must decide whether or not love is worth ... See full summary »
Mame is an unconventional individualist socialite from the roaring 20's. When her brother dies, she is forced to raise her nephew Patrick. However, Patrick's father has designated an executor to his will to protect the boy from absorbing too much of Mame's rather unconventional perspective. Patrick and Mame become devoted to each other in spite of this restriction, and together journey through Patrick's childhood and the great depression, amidst some rather zaney adventures. Written by
Ross Thompson <email@example.com>
Rosalind Russell broke her ankle in the first take of the scene where she comes flying down the stairs in the gown with the capri pants - shooting had to be delayed until she recovered. See more »
In the final scene, Mame reads a telegram and the written telegram is filmed as it is being read. They mention the date, "June 31st". There are only 30 days in June. This is intentional. When Patrick shows up to Mame's at the beginning, Mame says that he wasn't supposed to arrive until September 31st and is then informed there are only 30 days in September. See more »
[walking with Mame after Mame's remarkable sidesaddle horseback ride during a fox hunt]
Can I ask you just one question? How did you stay on that horse?
It was just like New Haven with the bracelets. I got stuck, but at the other end.
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Rosalind Russel in the role of a lifetime. Auntie Mame leads her beloved nephew on a roller-coaster ride from riches to rags back to riches, always teaching the boy to "live life to the fullest". The story begins just prior to the great stock market crash of 1929 and spins into present day (1958).
There are delightful moments with colorful characters, most noteworthy "Miss Gooch", an unwed mother and thus an outcast of respectable society. There are several touching scenes when the family is suffering in the great depression, but just as many funny ones, i. e. where Auntie Mame puts some biggoted snobs in their place.
I enjoyed this film slightly more than the later Lucille Ball musical version. Although Rosalind Russel is quite flamboyant, Lucille Ball is completely "over the top" and thus less credible. I recommend the 1958 original over the remake, although both are wonderful entertainment.
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