Alain Leroy is having a course of treatment in a private hospital because of his problem with alcohol. Although he is constantly distressed, he leaves the hospital and tries to meet good ... See full summary »
A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
A small town in the south-west of France, summer of 1944. Having failed to join the resistance, the 18 year old Lucien Lacombe, whose father is a prisoner in Germany and whose mother dates ... See full summary »
This is a jolly coming-of-age story about a 14-year-old boy named Laurent Chevalier who is growing up in bourgeois surroundings in Dijon, France. This is France in the mid-1950s rather than... See full summary »
This merry farce depicts a satirical view of the French society: Ten-year-old Zazie has to stay two days with her relatives in Paris, so that her mother can spend some time with her lover. ... See full summary »
Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ... See full summary »
Bob, an old gangster and gambler is almost broke, so he decides in spite of the warnings of a friend, a high official from the police, to rob a gambling casino in Dauville. Everything is ... See full summary »
Florence Carala and her lover Julien Tavernier, an ex - paratrooper want to murder her husband by faking a suicide. But after Julien has killed him and he puts his things in his car, he finds he has forgotten the rope outside the window and he returns to the building to remove it... Written by
Stephan Eichenberg <email@example.com>
Louis Malle shot his lead actress Jeanne Moreau in close-up and natural light and often without make-up. Moreau, an icon of French film, had never been seen like this before, to the extent that lab technicians, reportedly appalled at how unflatteringly she was photographed, refused to process the film. Once they were persuaded to, however, it soon began clear that Malle had captured every nuance of Moreau's performance. See more »
When Julien is hanging from the cable and the elevator suddenly starts moving down the shaft, there is a shot of him where the walls around him aren't moving as they should. See more »
I never physically met the man, but I consider Malle an old friend.
He made two films that I think are among the most perfect and intellectually adventurous I know. He also made some good films that aren't life-changing but that show insight. This is one of them.
There are no new ideas here. It unfolds as one expects. The drama is muted to the point of homeopathy.
And yet we like it because it is so economical. Its bare, honest, true. So we like it, just like we gravitate to an open person regardless of whether she is dumb. I appreciate Bresson for this, his economy which blesses the viewer with a mind that necessarily filters what we see. But Bresson goes too far and presses into the impress of abstraction. Malle is real because it is overtly untheatrical.
Its worth seeing because it is seamless bamboo and because it informs "Vanya" and "Dinner." But in terms of its effect; its callow post-noir noir. And it has that hint at the end of a "film" within that condemns the couple.
Ted's Evaluation -- 3 of 3: Worth watching.
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