| Lana Turner | ... | Sara Scott | |
| Barry Sullivan | ... | Carter Reynolds | |
| Glynis Johns | ... | Kay Trevor | |
| Sean Connery | ... | Mark Trevor | |
| Terence Longdon | ... | Alan Thompson | |
| Sid James | ... | Jake Klein (as Sidney James) | |
| Martin Stephens | ... | Brian Trevor | |
| Doris Hare | ... | Mrs. Bunker | |
| Julian Somers | ... | Hotel Manager | |
| John Le Mesurier | ... | Dr. Aldridge | |
| Cameron Hall | ... | Alfy | |
| Jane Welsh | ... | Jonesy | |
| Robin Bailey | ... | Captain Barnes | |
| Bill Fraser | ... | R.E. Sergeant | |
| rest of cast listed alphabetically: | |||
| Lee Simmonds | ... | Child (uncredited) | |
Directed by | |||
| Lewis Allen | |||
Writing credits | ||
| Stanley Mann | (screenplay) | |
| Lenore J. Coffee | (novel) (as Lenore Coffee) | |
Produced by | |||
| Lewis Allen | .... | producer | |
| Joe Kaufmann | .... | producer (as Joseph Kaufman) | |
| E.M. Smedley-Aston | .... | producer (as Smedley Aston) | |
Original Music by | |||
| Douglas Gamley | |||
Cinematography by | |||
| Jack Hildyard | (director of photography) | ||
Film Editing by | |||
| Geoffrey Foot | |||
Production Design by | |||
| Thomas N. Morahan | (as Tom Morahan) | ||
Makeup Department | |||
| Anne Box | .... | hair stylist (as Ann Box) | |
| Stuart Freeborn | .... | makeup artist | |
Production Management | |||
| John Workman | .... | production manager (as John F. Workman) | |
Second Unit Director or Assistant Director | |||
| René Dupont | .... | assistant director (as Rene Dupont) | |
Sound Department | |||
| Leslie Hodgson | .... | dubbing editor | |
| J.B. Smith | .... | sound recordist | |
| Gerry Turner | .... | sound recordist | |
Camera and Electrical Department | |||
| James Bawden | .... | camera operator (as Jim Bawden) | |
Costume and Wardrobe Department | |||
| Laura Nightingale | .... | wardrobe | |
Music Department | |||
| Muir Mathieson | .... | conductor | |
Other crew | |||
| Del Armstrong | .... | assistant producer: Lanturn Productions | |
| Lee Turner | .... | continuity | |
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| Damage | The English Patient | Gone with the Wind | The Accompanist | Love Actually |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section |
In 1945, while in a temporary assignment in London, the "The New York Standard" journalist Sara Scott (Lana Turner) has a torrid love affair with the reporter of BBC Mark Trevor (Sean Connery) and she falls in love for him. Just before the end of the war, they cover a sapper disassembling a bomb and Sara is informed that her boss and fiancé Carter Reynolds (Barry Sullivan) is coming to London to meet her. When she tells the news to Mark, he surprisingly discloses to her after three months of relationship that he is married and has a son in St. Giles, Cornwall, and he loves and will stay with his family. Mark leaves Sara and travels to Paris with his assistant Alan Thompson (Terence Longdon), but the plane crashes and he dies. The grieving Sara has a nervous breakdown and is interned in the Headway Nursing Home for treatment. Six weeks later, Carter buys a ship trip to her from Plymouth to New York; however, Sara decides to visit St. Giles by train before returning to her country. When she meets Mark's wife Kay Trevor (Glynis Johns) and his son Brian (Martin Stephens), she is invited by Kay to stay with them until the next morning. During the night, Sara has a crisis, faints and Kay invites her to stay at her home during for recovering.
The silly "Another Time, Another Place" is an unconvincing romance, with a laughable screenplay. The story begins without a previous development of characters, but sooner the viewer understands that Sara is an experienced American correspondent that writes a column for her newspaper and is engaged of her boss. Mark is a married man that broadcasts news about the war and is having an affair with Sara, and disapproved by his friend and assistant Alan. When Sara tells that her fiancé is coming to London, Mark decides to end his affair since he loves his family. This revelation, associated to the shock of the death of Mark lead Sara to a breakdown. Up to this point, the story is convincing and I have no remarks. However, the decision of Sara to travel to St. Giles is the beginning of an unthinkable attitude of an experienced woman living overseas. The rest of this forgettable movie is pure crap with a corny conclusion, despite the good performance of Glynis Johns and the magnificent locations in Cornwall. My vote is four.
Title (Brazil): "Vítima de uma Paixão" ("Victim of a Passion")