Doctor Gulliver is poor, so nothing - not even his charming fiancée Elisabeth - keeps him in the town he lives. He signs on to a ship to India, but in a storm he's washed off the ship and ... See full summary »
A scientist is nearly assassinated. In order to save him, a submarine is shrunken to microscopic size and injected into his blood stream with a small crew. Problems arise almost as soon as they enter the bloodstream.
While sailing with Princess Parisa to Baghdad to their wedding, Sinbad finds the Colossa Island and anchors his vessel to get supplies for the starving crew. Sinbad and his men help the magician Sokurah to escape from a Cyclops that attacks them, and Sokurah uses a magic lamp with a boy jinni to help them; however, their boat sinks and he loses the lamp. Sokurah offers a small fortune to Sinbad to return to Colossa, but he does not accept and heads to Baghdad. The citizens and the Caliph of Baghdad are celebrating the peace with Chandra, and they offer a feast to the Sultan of Chandra. Sakurah requests a ship and crew to return to Colossa but the Caliph refuses to jeopardize his countrymen. However, the treacherous magician shrinks the princess and when the desperate Sinbad seeks him out, he tells that he needs to return to Colossa to get the ingredient necessary for the magic potion. But Sinbad has only his friend Harufa to travel with him, and he decides to enlist a doubtful crew in... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the opening scene, Ali defends Sinbad's courage against the Gaunt Sailor's accusation that no man would set foot upon any land they might come across. In the original script, however, their roles were reversed. This was likely changed because it made more sense for Ali, who returns with Sinbad on his later voyage and mans the giant crossbow, to defend the captain over a sailor who would later decline to return for the dangerous mission to Colossa. See more »
When Sokurah reaches toward the camera to grab the princess, his hand can be seen closing on nothing as the scene cross-dissolves to Sinbad in the Roc's nest. See more »
If you have forgotten what being a child was like, watch this and unlock some of that magic.
Arguably, Harryhausen's finest moment. I can't off the top of my head nominate one that was better! It had it all, adventure, fantasy, heroics, monsters, and Harryhausen's stop-frame wizardry that puts half the CGI effects right out of business.
I too, saw it as a child and along with JASON AND THE ARGONAUTS, THE GOLDEN VOYAGE OF SINBAD and CLASH OF THE TITANS, bought it years later and played it to standing room only, in our lounge throughout the kids childhood. Lucky aren't they?
The cyclops was the ultimate magic and I only wish my children could have seen the original theatrical screening with which television cannot compete. The film is still there but the sense of impending wonder (sitting there in a blackened theater) cannot be replicated on the small screen.
What a legacy to leave the world!
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