Doctor Gulliver is poor, so nothing - not even his charming fiancée Elisabeth - keeps him in the town he lives. He signs on to a ship to India, but in a storm he's washed off the ship and ... See full summary »
Sinbad and his crew intercept a homunculus carrying a golden tablet. Koura, the creator of the homunculus and practitioner of evil magic, wants the tablet back and pursues Sinbad. Meanwhile... See full summary »
John Phillip Law,
The sailor of legend is framed by the goddess Eris for the theft of the Book of Peace, and must travel to her realm at the end of the world to retrieve it and save the life of his childhood friend Prince Proteus.
While sailing with Princess Parisa to Baghdad to their wedding, Sinbad finds the Colossa Island and anchors his vessel to get supplies for the starving crew. Sinbad and his men help the magician Sokurah to escape from a Cyclops that attacks them, and Sokurah uses a magic lamp with a boy jinni to help them; however, their boat sinks and he loses the lamp. Sokurah offers a small fortune to Sinbad to return to Colossa, but he does not accept and heads to Baghdad. The citizens and the Caliph of Baghdad are celebrating the peace with Chandra, and they offer a feast to the Sultan of Chandra. Sakurah requests a ship and crew to return to Colossa but the Caliph refuses to jeopardize his countrymen. However, the treacherous magician shrinks the princess and when the desperate Sinbad seeks him out, he tells that he needs to return to Colossa to get the ingredient necessary for the magic potion. But Sinbad has only his friend Harufa to travel with him, and he decides to enlist a doubtful crew in... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
A soundtrack album of Bernard Herrmann's score was released on Colpix, Columbia's record label. In later years it would become one of the most sought-after albums by soundtrack collectors. It was finally released on CD, along with the full score, in 2009. See more »
When Sokurah reaches toward the camera to grab the princess, his hand can be seen closing on nothing as the scene cross-dissolves to Sinbad in the Roc's nest. See more »
When I was a kid, the experience of watching "The 7th Voyage of Sinbad" started my admiration for the music of Bernard Herrmann, and confirmed my love for fantasy cinema (and stop-motion animation), in an unconscious way. Before this, I had seen "It Came from Beneath the Sea" (1955), a B&W movie in which an octopus created by Ray Harryhausen climbed the Golden Gate Bridge... But this time Harryhausen's creatures were in full color, the exotic story was inspired by tales from the "Arabian Nights", and the magic was enhanced by Herrmann's score. The film had princess Parisa reduced to less than four inches, cyclops running crazy, a dragon, a bird with two heads, an evil magician called Sokura, a boy genie, and the celebrated skeleton duel, but I was mainly impressed by Sokura's act of magic during the Sultan's ball, crossing a snake with Parisa's aide (actress Nana de Herrera, who looked weird even before the transformation.) The Harryhausen-Herrmann collaboration originated two more Sinbad movies, and other favorites, as "Mysterious Island", "Jason and the Argonauts" and "The 3 Worlds of Gulliver", but "The 7th Voyage of Sinbad" is number one in my list of the collaborators' films. There is a moment in "Star Wars", which is a direct quotation of the movie: when Luke Skywalker and princess Leia cross above an abyss, as when Sinbad and Parisa escape from Sokura's lair.
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