Yancy Derringer, an ex-Confederate soldier turned gambler, was a suave lady's man in New Orleans, Louisiana. In reality, he was working for John Colton, the civil administrator of the city.... See full summary »
Yancy is forced to reimburse four gamblers when their high-stakes poker game on his riverboat is robbed by a pair of beautiful thieves. Derringer traces the blonde crooks to an old mansion where he ...
Former combat cameraman Mike Kovac is now a freelance photographer in New York City, specializing in difficult and dangerous assignments where he can get the kinds of pictures that other ... See full summary »
Christopher Colt was apparently a gun salesman but was in fact a government agent tracking down notorious bad guys. His cousin Sam took the lead when the studio had contract disputes with the original star.
Adam Troy was an American Korean War veteran who stayed in the Pacific after the war. As captain of the schooner "Tiki III", Troy drifted from adventure to adventure while carrying ... See full summary »
Anthony Blake is a very compassionate and wealthy magician, who uses his talents as an illusionist and escape artist to help people in trouble. Max Pomeroy, a friend who is a syndicated ... See full summary »
Yancy Derringer, an ex-Confederate soldier turned gambler, was a suave lady's man in New Orleans, Louisiana. In reality, he was working for John Colton, the civil administrator of the city. Yancy's job was to prevent crime and if necessary, arrest the culprits. His constant companion was Pahoo-Ka-Ta-Wah an Indian who watches Yancy's back. Written by
J.E. McKillop <email@example.com>
The decaying Southern mansion seen on the series was the Tara set from Gone with the Wind (1939), which stood on the back lot at Desilu Studios (formerly Selznick International Pictures). The facade was sold and moved to Georgia later in 1959. See more »
So went the theme song to this undeservedly short-lived series. Nominally billed as a "western" (Yancey did, after all, wear a broad-brimmed hat, there were horses about, and his best friend was an Indian), this show was hard to categorize, even in the era of the so-called "adult western."
There was always the hint of a dark side to Yancey, all things considered; a feeling that tucked away behind his reserved manner lay a past that may not always have been too cool (or, alternately, as a friend of mine once suggested, perhaps a bit TOO cool). Moreover, unlike most of his contemporary action heroes, Mr. D. didn't always fight fair: forced into a bare-knuckles match against an huge opponent, Yancey took advantage of his knowledge that the guy had spent the previous night guzzling beer, hammering him into collapse with a series of belly punches you could almost feel through the TV screen.
Not the nicest guy in town, in other words. But eminently effective. And thoroughly watchable. A great series.
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