Wanted: Dead or Alive (1958–1961)

TV Series  |  Approved  |   |  Western
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A Civil War veteran with a sawed-off rifle as a holstered weapon makes a living as a bounty hunter in the Wild West of the 1870s.

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Title: Wanted: Dead or Alive (1958–1961)

Wanted: Dead or Alive (1958–1961) on IMDb 8.3/10

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3   2   1  
1961   1960   1959   1958  

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Cast

Complete series cast summary:
...
 Josh Randall (94 episodes, 1958-1961)
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Storyline

A Civil War veteran with a sawed-off rifle as a holstered weapon makes a living as a bounty hunter in the Wild West of the 1870s.

Plot Summary | Add Synopsis

Genres:

Western

Certificate:

Approved | See all certifications »
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Release Date:

6 September 1958 (USA)  »

Also Known As:

Der Kopfgeldjäger  »

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Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

4:3
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Trivia

According to the A&E Biography profile of Steve McQueen (featured in the Season ONE DVD Set), McQueen took the role of Josh Randall because his prospects for acting in movies were drying up. When the series started becoming hit, McQueen began getting more and more noticed by the film industry. So much so that director John Sturges, who'd used McQueen in the war movie Never So Few (1959) cast McQueen in the western hit The Magnificent Seven (1960), the movie that launched McQueen's rise to stardom. After making "Mag-7", McQueen began to get more and more movie offers again and decided to quit the show to pursue his film career, thus canceling the series. See more »

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User Reviews

 
McQueen's Best Screen Test
27 July 2014 | by (United States) – See all my reviews

THE PROFESSION OF Bounty Hunter, which persists today in one form or another, was not one of honor or general acceptance. Sometimes referred to as "Bounty Killer", as in those "Spaghetti Westerns" of the 1960s, the line of work called for those who were neither weak of constitution nor overly genteel in relations with others.

THE CASTING OF Mr. Steve McQueen as Josh Randall put all of the actor's abilities on full display before the whole world. His cool, underplaying of the character did much in making this just more than another Horse Opera. It was intelligent writing, careful attention to a complex story line combined with the ability of the Star that served up something other than a plain old 2 dimensional cardboard cutout look at the work of a societal bottom feeder.

BEING THE OLD, Wild West of the 1870s, it was a position that was needed. Horrible conditions often times produce solutions that are less than civilized; as a live by the sword mentality is a necessity of life. Being far removed from the Big City life of the "Stupidgencia" as practiced in Academic circles, this is reality; though not necessarily how the "Experts" feel it should be.*

IN REFLECTING ON the various rerun episodes that are shown on Cable Stations such as Chicago's MEE TV, one gets a pretty microscope-like look at Steve's abilities. Even at this relatively early stage, we can view the man as Artist. And Artist is the proper term to use for the guy who brought us such great performances in: THE Magnificent SEVEN, THE CINCINNATI KID, THE SAND PEBBLES, THE REIVERS, JUNIOR BONNER, BULLITT,SOLDIER IN THE RAIN, PAPILLION, THE GETAWAY, etc., etc., etc..

IT IS TRULY a shame that he left us a such a relatively young age.


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alternate opening --in same ep. as Mary T. Moore and dir. Richard Donner karmacoupe
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