| Craig Stevens | ... | Peter Gunn (114 episodes, 1958-1961) | |
| Herschel Bernardi | ... | Lieutenant Jacoby (102 episodes, 1958-1961) | |
| Lola Albright | ... | Edie Hart (84 episodes, 1958-1961) |
Series Directed by | |||
| Boris Sagal | (22 episodes, 1959-1960) | ||
| Robert Gist | (20 episodes, 1960-1961) | ||
| Alan Crosland Jr. | (19 episodes, 1960-1961) | ||
| Lamont Johnson | (14 episodes, 1958-1960) | ||
| Blake Edwards | (10 episodes, 1958-1959) | ||
| David Orrick McDearmon | (8 episodes, 1958-1959) | ||
| Jack Arnold | (6 episodes, 1959-1960) | ||
| Walter Grauman | (2 episodes, 1959) | ||
| Paul Stanley | (2 episodes, 1960-1961) | ||
| Gene Reynolds | (2 episodes, 1960) | ||
| David Lowell Rich | (2 episodes, 1961) | ||
Series Writing credits | ||
| Blake Edwards | (113 episodes, 1958-1961) | |
| Tony Barrett | (63 episodes, 1958-1961) | |
| Lewis Reed | (56 episodes, 1958-1961) | |
| Steffi Barrett | (9 episodes, 1959-1961) | |
| Lester Pine | (7 episodes, 1959-1960) | |
| P.K. Palmer | (4 episodes, 1959) | |
| George Fass | (2 episodes, 1958-1959) | |
| Gertrude Fass | (2 episodes, 1958-1959) | |
| Vick Knight | (2 episodes, 1958) | |
| Jack McEdward | (2 episodes, 1960-1961) | |
Series Produced by | |||
| Blake Edwards | .... | producer (114 episodes, 1958-1961) | |
| Gordon Oliver | .... | executive producer (114 episodes, 1958-1961) | |
| Byron Kane | .... | associate producer (96 episodes, 1959-1961) | |
| Jack McEdward | .... | associate producer (38 episodes, 1960-1961) | |
Series Original Music by | |||
| Henry Mancini | (114 episodes, 1958-1961) | ||
Series Cinematography by | |||
| Philip H. Lathrop | (61 episodes, 1958-1960) | ||
| William W. Spencer | (38 episodes, 1960-1961) | ||
| Arthur E. Arling | (8 episodes, 1958) | ||
| Maury Gertsman | (3 episodes, 1958) | ||
| Ellis W. Carter | (3 episodes, 1959) | ||
Series Film Editing by | |||
| Patrick McCormack | (94 episodes, 1958-1961) | ||
| Russell F. Schoengarth | (19 episodes, 1958-1959) | ||
Series Art Direction by | |||
| Philip Barber | (112 episodes, 1958-1961) | ||
| George W. Davis | (76 episodes, 1959-1961) | ||
| Alexander Golitzen | (37 episodes, 1958-1959) | ||
Series Set Decoration by | |||
| H. Web Arrowsmith | (113 episodes, 1958-1961) | ||
| Henry Grace | (76 episodes, 1959-1961) | ||
| Russell A. Gausman | (37 episodes, 1958-1959) | ||
Series Makeup Department | |||
| Bud Westmore | .... | makeup artist (37 episodes, 1958-1959) | |
Series Production Management | |||
| Terence Nelson | .... | production manager (68 episodes, 1959-1961) | |
| Jack McEdward | .... | production manager (45 episodes, 1958-1960) | |
Series Second Unit Director or Assistant Director | |||
| Wilson Shyer | .... | assistant director (40 episodes, 1959-1960) | |
| Terence Nelson | .... | assistant director (38 episodes, 1958-1960) | |
| L.V. McCardle Jr. | .... | assistant director (21 episodes, 1960-1961) | |
| William Holland | .... | assistant director (6 episodes, 1958) | |
| Kurt Neumann | .... | assistant director (4 episodes, 1961) | |
| Erich von Stroheim Jr. | .... | assistant director (2 episodes, 1960) | |
Series Sound Department | |||
| Corson Jowett | .... | sound (94 episodes, 1958-1961) | |
| Franklin Milton | .... | sound / recording supervisor (76 episodes, 1959-1961) | |
| Leslie I. Carey | .... | sound (37 episodes, 1958-1959) | |
| Don Rush | .... | sound (4 episodes, 1958) | |
| Jim Bullock | .... | supervising sound editor (unknown episodes) | |
Series Stunts | |||
| Dick Crockett | .... | stunt supervisor (76 episodes, 1959-1961) | |
Series Costume and Wardrobe Department | |||
| Sydney LaVine | .... | wardrobe coordinator (113 episodes, 1958-1961) | |
| Don Richards | .... | wardrobe: Mr. Stevens (113 episodes, 1958-1961) | |
| Norma Funk | .... | wardrobe coordinator (49 episodes, 1959-1961) | |
| Mr. Mort | .... | wardrobe: Miss Albright (49 episodes, 1959-1961) | |
| Jax | .... | wardrobe: Miss Albright / wardrobe: Miss Albirght (34 episodes, 1958-1959) | |
| William Baer | .... | furrier (3 episodes, 1959) | |
Series Music Department | |||
| Shelly Manne | .... | musician: drums (38 episodes, 1959-1960) | |
| Al Schmitt | .... | music recording engineer (38 episodes, 1959-1960) | |
| Bob Bain | .... | musician: guitar (37 episodes, 1958-1959) | |
| Rolly Bundock | .... | musician: bass (37 episodes, 1958-1959) | |
| Gene Cipriano | .... | musician: flute (37 episodes, 1958-1959) | |
| Bones Howe | .... | music recording engineer (37 episodes, 1958-1959) | |
| Ronnie Lang | .... | musician: saxophone (37 episodes, 1958-1959) | |
| Richard Nash | .... | musician: trombone (37 episodes, 1958-1959) | |
| Ted Nash | .... | musician: alto saxaphone (37 episodes, 1958-1959) | |
| Jack Sperling | .... | musician: drums (37 episodes, 1958-1959) | |
| Carl Fortina | .... | musician: accordion soloist (7 episodes, 1958-1961) | |
Series Other crew | |||
| Fritz Miller | .... | title designer (93 episodes, 1959-1961) | |
| Frank Murphy | .... | title designer (93 episodes, 1959-1961) | |
| Betty A. Griffin | .... | dialogue supervisor / dialogue director (59 episodes, 1959-1961) | |
| Byron Kane | .... | assistant to producer (18 episodes, 1958-1959) | |
| Betty Fancher | .... | script supervisor (17 episodes, 1960-1961) | |
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| Out of the Past | Popeye Doyle | Go-Get-'Em, Haines | Chelsea Walls | Gentlemen Prefer Blondes |
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| Episode guide | Full cast and crew | Company credits |
| External reviews | News articles | IMDb TV section |
| IMDb Action section | IMDb USA section |
You may add a new episode for this TV series by clicking the 'add episode' button
Peter Gunn DVD sets 1 & 2 contain the first 32 episodes of this series. These are reproduced in good quality video and audio, with easy to use menus and good jacket art clearly listing episode titles.
The series is a joy to watch. As other reviewers have already noted, this series displays a good example of early TV production values in an era without special effects. Stories are acted out by excellent interplay between performers. Sets were limited to just a few stock locations and outdoor scenes were nearly always back lot scenes, ..at night. Special scenes are often just talking heads of the actors, looking down, seen from the "corpse's eye view". All tricks of the trade by excellent directors presenting well written scripts, in a short time, on a shorter budget. And, it all works still as artful production.
It would be nice to see the remaining episodes made available in the same high quality professional manner. The 82 remaining episodes would easily fit onto two (or three) additional multi-disc DVD sets.
Anyone out there at A&E listening?