Stu Bailey and Jeff Spencer were the wisecracking, womanizing private detective heroes of this Warner Brothers drama. Stu and Jeff worked out of an office located at 77 Sunset Strip in Los ... See full summary »
Stranger on a plane proposes exchanging murders to crime-busting Fed whose wife won't grant him a divorce. A gossip column tips the stranger, a novelist, to the prosecutor's dilemma, so he trails the...
Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts and Rocky Mountains. The first treks were led by gruff, ... See full summary »
Stu Bailey and Jeff Spencer were the wisecracking, womanizing private detective heroes of this Warner Brothers drama. Stu and Jeff worked out of an office located at 77 Sunset Strip in Los Angeles, right next door to a snazzy restaurant where Kookie worked as a valet. The finger-snapping, slang-talking Kookie occasionally helped Stu and Jeff with their cases, and eventually became a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also joined the firm, and Suzanne was their leggy secretary. Written by
Marty McKee <email@example.com>
This series was produced by Warner Brothers for ABC and the episode "The Kookie Caper" (episode 2.2, October 9, 1959) has some inside jokes about other series produced by that studio for ABC. Early in episode, Kookie (Edd Byrnes indicates that he doesn't know that Will Hutchins is the star of Sugarfoot (1957). Later, he can be seen reading an issue of TV Guide magazine with the stars of Maverick (1957), James Garner and Jack Kelly, on the cover. Both of those shows were produced by Warner Bros., as was this one. See more »
With the advent of the DVR, this show - which I loved as a kid - has once again become a staple of my TV viewing. To my mind, it has aged well and still stands up after all these years.
The show had good stories and tried to have something for everyone - it's TV after all - and not take itself too seriously. Kookie was there for the kids and, along with Roscoe, brought colorful comic relief. In one episode, Spencer arrives in Hong Kong and passes a rickshaw-hop (Byrnes in mufti) running a comb through his hair. It was a fun show! And the West Coast jazz they played at Dino's was very hip and still sounds great.
But at the heart of the show were Bailey and Spencer and the cases they solved. And these remain on a par with the best of episodic TV. The two characters work, the scripts are fairly thoughtful and bring in good characters. Zimbalist and Smith were spot on. Terrific TV.
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