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The Affairs of Julie (1957)
"Die Zürcher Verlobung" (original title)

6.8
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Ratings: 6.8/10 from 220 users  
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Juliane Thomas is an ambitious but unemployed young writer. After breaking up with her lover she works at a dentist friend to make ends meet. One day she instantly falls in love with one of... See full summary »

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Title: The Affairs of Julie (1957)

The Affairs of Julie (1957) on IMDb 6.8/10

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Cast

Cast overview, first billed only:
Liselotte Pulver ...
Paul Hubschmid ...
Bernhard Wicki ...
Paul Frank
Wolfgang Lukschy ...
Roland Kaiser ...
Helge Frank / Pips
Rudolf Platte ...
Edgar Stephan
Werner Finck ...
Dr. Julius Wayer
Erwin Linder ...
Veit Lauffer
Traute Carlsen ...
Tante Marie Berner
Gisela Peltzer ...
Lucie Krämer
Peter Franck ...
Film Producer, Dr. Krämer
Hans Hermann Schaufuß ...
Old Man from Heidelberg
Maria Sebaldt ...
Grace, American Tourist
Marianne Hediger ...
Heidi Lauffer
Sibylle von Gymnich ...
Rosi Berner
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Storyline

Juliane Thomas is an ambitious but unemployed young writer. After breaking up with her lover she works at a dentist friend to make ends meet. One day she instantly falls in love with one of the patients (Jean Berner) and promptly writes a movie script about the encounter in which she projects her own fantasies about how things will turn out eventually. By coincidence this movie script is picked up by a film director who happens to be Berner's closest friend and from then on things become very complicated... Written by Stefan Kahrs <smk@dcs.ed.ac.uk>

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Genres:

Comedy

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Release Date:

16 April 1957 (West Germany)  »

Also Known As:

The Affairs of Julie  »

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Technical Specs

Runtime:

Sound Mix:

(Klangfilm-Magnetocord-Eurocord)

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

In the front office of Famosa Film, various film posters indicate the kind of movies being made in Germany at the time, with fictitious titles such as "Die Schellenbergs in Neapel" ("The Schellenbergs at Naples"), "Die Jägerbraut ("The Hunter's Bride"), "Der Adler von Mittenwald" ("The Mittenwald Eagle"), "Der Fischer Struensee" ("Fisherman Struensee") and "Heide-Guitarren" ("Heathland Guitars"). See more »

Quotes

Paul Frank: Why do you take a picture when you can have me?
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Connections

Remade as Die Zürcher Verlobung - Drehbuch zur Liebe (2007) See more »

Soundtracks

Ja, ja die Liebe in der Schweiz
Performed by Die Drei Peheiros
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User Reviews

 
ONE OF KÄUTNER'S BEST IN THE 50'S
2 October 1999 | by (Amsterdam, The Netherlands) – See all my reviews

Helmut Käutner adapted the jolly novelette by Barbara Noack into a lighthearted and joyful romantic comedy with witty dialogue in the very good script. First viewing and an only rudimentary knowledge of the German cinema of the 50's may let the viewer escape all the niceties of the film. Noack's novelette partly takes place within the German film industry and Käutner expanded this premise to satirize the making of the same film, giving him the opportunity to mock the reigning laws within the German cinema. Furthermore he enriched the story by making the lead character into a more independent woman than in the novel.

Quite some though friendly, but always clear scoffing at the average sugar sweet German films of the 50's is going on. In the scene where the possibilities of filming the script are discussed a little statue of a deer is in the picture: the Bambi was a German film prize. Sonja Ziemann, regular in the Heimatfilm, at one moment says: That is what the people always want to see. Even a standard scene in genre Mountain film like the meeting of the girl and her two suitors in an Alpine hut, is taken care of. Käutner does not spare himself too; he always had a bit part for himself in his films and in this one he is a journalist saying to Bernhard Wicki (who plays the film director(!) very well): "I am against directors playing in their own films".

Käutner's direction is immaculate and I consider this stylish comedy one of his best films of the 50's and to be preferred to the film "Hauptmann von Köpenick" (made in 1956, just before this one) that gave him international recognition. The very good cinematography of Heinz Pehlke (his first in colour) in combination with the fine set and costume design make it a visually rewarding film as well. The music and songs by Michael Jary (text probably by Käutner) add to the enjoyment.

The cast is good and Liselotte Pulver is extremely well as Juliana and Paul Hubschmidt is well type-cast as the boring Swiss. And of course there could have been only one actor for the fictive part of Herr Uri: Rudolf Platte, who again only has a bit part but plays it like he has to carry the film. Anny Ondra and Max Schmeling have cameos.


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