Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
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Jim Beaver <firstname.lastname@example.org>
I usually get a kick out of teenspoitation movies made in the '50, mainly because the characters and their attitudes seem so dated when seen today. So when this movie came up on Turner Classic Movies, you can be sure I was careful to tape it. The beginning of the movie seems to promise that it will be pretty campy. The teenage protagonist upset that he has to drive his own crummy car since his father won't let him use his brand new car? The teenage protagonist venting his building angst by putting his feet up on the chair in front of him in a movie theater? But not long after all that, the movie gets pretty serious - and compelling. You'll start to sympathize with the teenage protagonist (even though the movie doesn't make him TOTALLY likable), and understand why he is so upset, and why he does the things he does. MacArthur is actually pretty good in the title role, even though he seems to be just a little too old to be a teenager. And Frankenheimer's direction is overall pretty solid. Today's teenagers may think this to be tame stuff, but older viewers in a nostalgic mood will probably find this to be a pleasant surprise.
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