American Grand Prix driver Pete Aron is fired by his Jordan-BRM racing team after a crash at Monaco that injures his British teammate, Scott Stoddard. While Stoddard struggles to recover, ... See full summary »
Eva Marie Saint,
Based on the true story of a Brazilian rubber tapper who leads his people in protest against government and developers, who want to cut down their part of the rainforest for a new road and ... See full summary »
Hal Ditmar is a clean-cut kid, the son of a wealthy movie producer. When an argument at a theatre turns into a fight between Hal and the theatre manager, Hal finds no one, not even his father, will believe his actions were justified as self-defense. The police are concerned that Hal is a juvenile delinquent in the making, but the real problem lies in Hal's father's inattention to his son. It's up to Hal's mother to try to bridge the gulf between father and son. Written by
Jim Beaver <firstname.lastname@example.org>
The world is going to miss John Frankenheimer. This was his first feature film and it was four years before he directed his second, but don't let that dissuade you from seeking it out. Frankenheimer's direction is assured, and he gets some compelling performances out of his cast.
Someone else has already pointed them out, but I also want to talk up James Gregory and Whit Bissell in two key supporting roles. Both would work for Frankenheimer again -- Gregory most notably as the bumbling senator in "The Manchurian Candidate" -- and they do good work for him here.
If the whole thing seems too simple in the end, that's merely because Frankenheimer and writer Robert Dozier chose to tell a simple story, and they do it well. Keep a lookout for it -- Turner Classic Movies just might show it again.
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