6.2/10
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10 user 1 critic

The Young Don't Cry (1957)

Approved | | Drama | 26 July 1957 (USA)
A teenager (Sal Mineo) fights to retain his dignity and self-respect against the brutality, sadism and cynicism of the "big guys" around him in the brutal world of a Georgia orphanage. The ... See full summary »

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(screenplay), (from a novel by)
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Cast

Cast overview:
...
Leslie Henderson
...
Rudy Krist
...
Plug
Gene Lyons ...
Max Cole
...
Tom Bradley
Thomas A. Carlin ...
Johnny Clancy
Leigh Whipper ...
Doosy
...
Billy
Victor Throley ...
Whittaker
Dolores Rosedale ...
Mrs. Maureen Cole (as Roxanne)
James Reese ...
Mr. Gwinn
Ruth Attaway ...
Philomena
Leland Mayforth ...
Allan
Richard Wigginton ...
Jimmy
Stanley Martin ...
Stanley Brown
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Storyline

A teenager (Sal Mineo) fights to retain his dignity and self-respect against the brutality, sadism and cynicism of the "big guys" around him in the brutal world of a Georgia orphanage. The young man soon becomes involved with an escaping convict from a nearby prison. Through his experience with the convict - a man unjustly sentenced - he finds within himself the strength to stand up to those who abuse their power and hopefully restore his confidence. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

BORN AT 17... (He'll be lucky to make twenty!) See more »

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

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Release Date:

26 July 1957 (USA)  »

Also Known As:

I forti non piangono  »

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)
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Did You Know?

Trivia

Final film of director Alfred L. Werker. See more »

Connections

Referenced in Death in Hollywood (1990) See more »

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User Reviews

 
Very minor vehicle for Sal Mineo...
27 September 2008 | by (las vegas, nv) – See all my reviews

At an orphanage for boys and young men down in rural Georgia, a tough-yet-sensitive teen befriends a convict at a nearby work farm; when the prisoner eventually makes a break for it, causing all hell to break loose in the small community, the kid has to decide whether to talk his friend into giving up or aid in his escape. Slow, rather dreary co-feature from Columbia, ostensibly designed as a showcase for young star Sal Mineo, though James Whitmore's haunted con has the film's best moments. Connecting with the audience in a much more immediate way than his young co-star, brawny, masculine Whitmore understands how to make his character's fear and damage work best for him. The other story threads (a visiting former-orphan attempting to buy acceptance with his newfound wealth, a salty sheriff and his deputy, and a lonely woman living in a swampland shack) never quite come together, despite good actors and location shooting. It's a puzzling movie (a cynical viewer might even say a sexually conflicted one), with awkward melodrama and interaction ultimately keeping it from being anything more than second-string fare. ** from ****


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