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The Wrong Man (1956)

Approved  |   |  Crime, Drama, Film-Noir  |  26 January 1957 (USA)
7.5
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Ratings: 7.5/10 from 16,272 users  
Reviews: 122 user | 56 critic

True story of an innocent man mistaken for a criminal.

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Writers:

(screen play), (screen play), 1 more credit »
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Cast

Cast overview, first billed only:
...
...
...
...
Charles Cooper ...
John Heldabrand ...
Esther Minciotti ...
Doreen Lang ...
Laurinda Barrett ...
Norma Connolly ...
Betty Todd
...
Lola D'Annunzio ...
Kippy Campbell ...
Robert Essen ...
Richard Robbins ...
Daniel - the Guilty Man
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Storyline

Christopher Emmanuel Balestrero - Manny to his friends - is a string bassist, a devoted husband and father, and a practicing Catholic. His $85 a week gig playing in the jazz combo at the Stork Club is barely enough to make ends meet. The Balestreros' lives will become a little more difficult with the major dental bills his wife Rose will be incurring. As such, Manny decides to see if he can borrow off of Rose's life insurance policy. But when he enters the insurance office, he is identified by some of the clerks as the man that held up the office twice a few months earlier. Manny cooperates with the police as he has nothing to hide. Manny learns that he is a suspect in not only those hold ups, but a series of other hold ups in the same Jackson Heights neighborhood in New York City where they live. The more that Manny cooperates, the more guilty he appears to the police. With the help of Frank O'Connor, the attorney that they hire, they try to prove Manny's innocence. Regardless of if ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

25 steps down into a subway and for the first time he doesn't come home that night. See more »

Genres:

Crime | Drama | Film-Noir

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

| |

Release Date:

26 January 1957 (USA)  »

Also Known As:

Der falsche Mann  »

Box Office

Budget:

$1,200,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Although based on a true story, Alfred Hitchcock deliberately left out some of the information that pointed to Manny's innocence to heighten the tension. See more »

Goofs

The police truck Manny is loaded into to take him to Long Island jail has the number 1437 painted on it. The next shot shows the police truck crossing a bridge with the number 1403 visible on it. When it arrives at the jail it again has the number 1437 on it. See more »

Quotes

[first lines]
Prologue narrator: This is Alfred Hitchcock speaking. In the past, I have given you many kinds of suspense pictures. But this time, I would like you to see a different one. The difference lies in the fact that this is a true story, every word of it. And yet it contains elements that are stranger than all the fiction that has gone into many of the thrillers that I've made before.
See more »

Connections

Referenced in Moeder, ik wil bij de revue: De voorstelling (2012) See more »

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User Reviews

A Different Kind of Suspense
3 July 2001 | by (Ohio) – See all my reviews

Although the theme of "The Wrong Man" could apply to several of Hitchcock's more famous thrillers, this movie is unique in holding closely to a series of events as they actually happened. That means there is a lot less of some of the usual Hitchcock features, such as his famous set pieces or his subtle humor. They are replaced by a different kind of suspense, still done with Hitchcock's usual craftsmanship.

Henry Fonda and Vera Miles play a factual ordinary couple whose lives are thrown into turmoil when the police confuse the husband with a man who has been committing a series of robberies. The first part of the movie concentrates on the nightmare he undergoes in being interrogated, jailed, and arraigned. Fonda's convincing acting, along with Hitchcock's detail-oriented filming, enable the viewer to feel the anxiety and helplessness of an innocent man being horribly misjudged. In the second part of the movie, as Fonda gets ready to go to trial, the ordeal finally starts to take its toll on his wife.

Although this has to be ranked as a minor work compared to Hitchcock's long list of masterpieces, it is a worthwhile film in its own right, as long as you have the right expectations in watching it. It can be quite uncomfortable to watch these things happen when you know that it all really occurred, and Hitchcock uses his skill to help us see just what an ordeal it was.


21 of 27 people found this review helpful.  Was this review helpful to you?

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