The Wrong Man (1956) 7.5
True story of an innocent man mistaken for a criminal. Director:Alfred Hitchcock |
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The Wrong Man (1956) 7.5
True story of an innocent man mistaken for a criminal. Director:Alfred Hitchcock |
|
| Watch Trailer 0Share... |
| Cast overview, first billed only: | |||
| Henry Fonda | ... | ||
| Vera Miles | ... | ||
| Anthony Quayle | ... | ||
| Harold J. Stone | ... | ||
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Charles Cooper | ... |
Det. Matthews
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John Heldabrand | ... |
Tomasini
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Esther Minciotti | ... |
Mama Balestrero
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Doreen Lang | ... |
Ann James
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Laurinda Barrett | ... |
Constance Willis
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Norma Connolly | ... |
Betty Todd
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| Nehemiah Persoff | ... |
Gene Conforti
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Lola D'Annunzio | ... |
Olga Conforti
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Kippy Campbell | ... |
Robert Balestrero
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Robert Essen | ... |
Gregory Balestrero
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Richard Robbins | ... |
Daniel - the Guilty Man
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Christopher Emmanuel Balestrero - Manny to his friends - is a string bassist, a devoted husband and father, and a practicing Catholic. His $85 a week gig playing in the jazz combo at the Stork Club is barely enough to make ends meet. The Balestreros' lives will become a little more difficult with the major dental bills his wife Rose will be incurring. As such, Manny decides to see if he can borrow off of Rose's life insurance policy. But when he enters the insurance office, he is identified by some of the clerks as the man that held up the office twice a few months earlier. Manny cooperates with the police as he has nothing to hide. Manny learns that he is a suspect in not only those hold ups, but a series of other hold ups in the same Jackson Heights neighborhood in New York City where they live. The more that Manny cooperates, the more guilty he appears to the police. With the help of Frank O'Connor, the attorney that they hire, they try to prove Manny's innocence. Regardless of if ... Written by Huggo
THE WRONG MAN has to be the scariest film made by Alfred Hitchcock. The driving force is it's realism. Based on a true story, we follow a struggling Queens musician (Henry Fonda) falsly accused of local robberies. We don't have suave Cary Grant dodging cropdusters or Mount Rushmore. There is no darkly funny Robert Walker making quips about murder. It's all frightfully real- the arrest process, the breakdown of Fonda's family (An incredible performance by Vera Miles as his wife) and the grueling courtroom process. The opening hour of unsmiling detectives checking Fonda's story, and watching Fonda become more defenseless is outright chilling.