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Witness for the Prosecution (1957)

Approved | | Crime, Drama, Mystery | 6 February 1958 (USA)
A veteran British barrister must defend his client in a murder trial that has surprise after surprise.

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Writers:

(in Agatha Christie's international stage success), (screen play) | 2 more credits »
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4,255 ( 211)

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Top Rated Movies #72 | Nominated for 6 Oscars. Another 3 wins & 9 nominations. See more awards »

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Cast

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Francis Compton ...
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Storyline

It's Britain, 1953. Upon his return to work following a heart attack, irrepressible barrister Sir Wilfrid Robarts, known as a barrister for the hopeless, takes on a murder case, much to the exasperation of his medical team, led by his overly regulated private nurse, Miss Plimsoll, who tries her hardest to ensure that he not return to his hard living ways - including excessive cigar smoking and drinking - while he takes his medication and gets his much needed rest. That case is defending American war veteran Leonard Vole, a poor, out of work, struggling inventor who is accused of murdering his fifty-six year old lonely and wealthy widowed acquaintance, Emily French. The initial evidence is circumstantial but points to Leonard as the murderer. Despite being happily married to East German former beer hall performer Christine Vole, he fostered that friendship with Mrs. French in the hopes that she would finance one of his many inventions to the tune of a few hundred pounds. It thus does ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Once in 50 years suspense like this! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

6 February 1958 (USA)  »

Also Known As:

Testigo de cargo  »

Box Office

Budget:

$3,000,000 (estimated)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

When the film was released, Agatha Christie said it was the only movie based on one of her stories she had actually liked. Later, after Murder on the Orient Express (1974) was filmed, she said she liked that one too. See more »

Goofs

When Vole, in his cell, starts relating the story of how he and Christine met, the scene dissolves into a flashback while Vole is speaking. But as it begins to dissolve, Vole, still clearly visible, has stopped talking even as his voice-over continues its narration. See more »

Quotes

Miss Plimsoll: It's beddy-bye. We better go upstairs now, get undressed and lie down.
Sir Wilfrid: We? What a nauseating prospect.
See more »

Crazy Credits

As the end credits appear on screen, an announcer's voice is heard: "The management of this theater suggests that for the greater entertainment of your friends who have not yet seen the picture you will not divulge to anyone the secret of the ending of Witness for the Prosecution." See more »

Connections

Referenced in Perry Mason: The Case of the Final Fade-Out (1966) See more »

Soundtracks

I May Never Go Home Anymore
Music by Ralph Arthur Roberts
Lyrics by Jack Brooks
Sung by Marlene Dietrich (uncredited)
Reprised a cappella by Tyrone Power (uncredited)
See more »

Frequently Asked Questions

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User Reviews

Billy Wilder meets Agatha Christie
2 March 2004 | by (Switzerland) – See all my reviews

Another brilliant work in the legendary career of Billy Wilder. The director signs a cinematic adaptation of this Agatha Christie story: actually it is really as if the camera went on stage for filming the play. But the film is passionating and exciting, there's no time to get bored.

Another thing we shall not forget is that Billy Wilder is European. He manages to keep the spirit of the film very British, with lots of humour and sarcasm. Compared to films like this one, "legal" movies from John Grisham's novels are empty and meaningless, without soul.

Mr.Wilder is the director, we know; we have Charles Laughton, Tyrone Power and Marlene Dietrich: what a cast! Add a superb black and white cinematography... The result is amazing, with a film where dialogues are flawless and carry everything.

Times are different now, but the atmosphere and the taste of movies like this one are impossible to find in contemporary films.


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