It's Britain, 1953. Upon his return to work following a heart attack, irrepressible barrister Sir Wilfrid Robarts, known as a barrister for the hopeless, takes on a murder case, much to the exasperation of his medical team, led by his overly regulated private nurse, Miss Plimsoll, who tries her hardest to ensure that he not return to his hard living ways - including excessive cigar smoking and drinking - while he takes his medication and gets his much needed rest. That case is defending American war veteran Leonard Vole, a poor, out of work, struggling inventor who is accused of murdering his fifty-six year old lonely and wealthy widowed acquaintance, Emily French. The initial evidence is circumstantial but points to Leonard as the murderer. Despite being happily married to East German former beer hall performer Christine Vole, he fostered that friendship with Mrs. French in the hopes that she would finance one of his many inventions to the tune of a few hundred pounds. It thus does ... Written by
Elsa Lanchester used to delight in broadcasting Marlene Dietrich's secrets. Although Dietrich was never secretive about her famous "tape lifts," Lanchester detailed their use to anyone who would listen (One of the most avid listeners was Charles Laughton, who urged a make-up man to steal one so he could try it). The lifts were stuck to the side of Dietrich's head where she wanted skin to be lifted. Then the long threads hanging from them were woven into hair at the back of her head, forcing the tabs to pull the skin very tight. A wig then covered the network of tabs and threads. Lanchester joked that Dietrich wouldn't dare to pull or twist her face for fear of loosening a lift. In the film, one can see how Dietrich rarely breaks the cold passiveness of her expression and moves her whole body rather than her head. See more »
When the photographer takes the pictures of Leonard Vole in the prison, he takes one from the front view and one from Voles right side. Later in the courtroom the prosecutor Mr. Myers shows these pictures to Leonard Vole in the witness stand. Now there is one from the front sight and one from his left side. It is hard to believe, that a professional photographer in a murder case would make such a serious mistake to twist the negative mirror inverted. It more looks like a mistake of the prop master. See more »
Before the film begins, a message appears onscreen saying that to avoid ruining the effect of the surprise ending, patrons should not take their seats during the last few minutes of the movie. See more »
This is one of the best "trial movies" ever made. It's an outstanding film that is just as good today as it was almost 50 years ago when it was released in the theaters. The shocking ending caused quite a stir back then, too.
The only part of the movie I thought looked dated and unrealistic was Tyrone Power's character being able to interrupt the trial with outbursts and not be reprimanded for it. There is no way that would be tolerated, at least today.
Otherwise, it's a pretty solid film with a good cast that includes two fascinating characters played by actors who know how to entertain: Charles Laughton and Marlene Dietrich.
Laughton, who plays Power's defense attorney, grabs the spotlight in the story but Dietrich almost steals the movie in her role as Power's wife. Laughton's dialog is terrific throughout, bringing a number of laughs to this serious film. He's just a joy to watch. Dietrich is even more riveting but just doesn't have anywhere near the same amount of screen time as Laughton.
Not to be overlooked is Elsa Lanchester, playing Laughton's nurse. She, too, demonstrates her comedic talent and significantly adds to the fun of watching this film.
If you like some fine drama, storyline twists, a little humor thrown in and great acting and dialog, this is a classic film to check out.
54 of 67 people found this review helpful.
Was this review helpful to you?