It's Britain, 1953. Upon his return to work following a heart attack, irrepressible barrister Sir Wilfrid Robarts, known as a barrister for the hopeless, takes on a murder case, much to the exasperation of his medical team, led by his overly regulated private nurse, Miss Plimsoll, who tries her hardest to ensure that he not return to his hard living ways - including excessive cigar smoking and drinking - while he takes his medication and gets his much needed rest. That case is defending American war veteran Leonard Vole, a poor, out of work, struggling inventor who is accused of murdering his fifty-six year old lonely and wealthy widowed acquaintance, Emily French. The initial evidence is circumstantial but points to Leonard as the murderer. Despite being happily married to East German former beer hall performer Christine Vole, he fostered that friendship with Mrs. French in the hopes that she would finance one of his many inventions to the tune of a few hundred pounds. It thus does ... Written by
Less than two months after "Witness for the Prosecution" by Agatha Christie had a London premiere, it opened on Broadway at Henry Miller's Theater on December 16, 1953 and ran for 645 performances. Una O'Connor reprized her role in the movie. See more »
Early in the courtroom scenes witnesses are seated in the hallway outside the courtroom door on a bench. This has a backdrop painted to look like a longer hallway. At the end of the trial when the courtroom is emptied the hallway is shown as being narrower with no bench. See more »
Be prepared for hysterics and even a fainting spell. Better have smelling salts handy and a nip of brandy.
I do not think that will be necessary. I never faint because I am not sure that I will fall gracefully and I never use smelling salts because they puff up the eyes. I am Christine Vole.
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Before the film begins, a message appears onscreen saying that to avoid ruining the effect of the surprise ending, patrons should not take their seats during the last few minutes of the movie. See more »
This is one of the best "trial movies" ever made. It's an outstanding film that is just as good today as it was almost 50 years ago when it was released in the theaters. The shocking ending caused quite a stir back then, too.
The only part of the movie I thought looked dated and unrealistic was Tyrone Power's character being able to interrupt the trial with outbursts and not be reprimanded for it. There is no way that would be tolerated, at least today.
Otherwise, it's a pretty solid film with a good cast that includes two fascinating characters played by actors who know how to entertain: Charles Laughton and Marlene Dietrich.
Laughton, who plays Power's defense attorney, grabs the spotlight in the story but Dietrich almost steals the movie in her role as Power's wife. Laughton's dialog is terrific throughout, bringing a number of laughs to this serious film. He's just a joy to watch. Dietrich is even more riveting but just doesn't have anywhere near the same amount of screen time as Laughton.
Not to be overlooked is Elsa Lanchester, playing Laughton's nurse. She, too, demonstrates her comedic talent and significantly adds to the fun of watching this film.
If you like some fine drama, storyline twists, a little humor thrown in and great acting and dialog, this is a classic film to check out.
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