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Witness for the Prosecution (1957)

 -  Crime | Drama | Mystery  -  6 February 1958 (USA)
8.5
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Ratings: 8.5/10 from 46,101 users  
Reviews: 180 user | 69 critic

Leonard Vole is arrested on suspicion of murdering an elderly acquaintance. He employs an experienced but aging barrister as his defense attorney.

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(in Agatha Christie's international stage success), (screen play), 2 more credits »
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Title: Witness for the Prosecution (1957)

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Top 250 #84 | Nominated for 6 Oscars. Another 4 wins & 8 nominations. See more awards »

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Cast

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Torin Thatcher ...
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Francis Compton ...
Philip Tonge ...
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Storyline

It's Britain, 1953. Upon his return to work following a heart attack, irrepressible barrister Sir Wilfrid Robarts, known as a barrister for the hopeless, takes on a murder case, much to the exasperation of his medical team, led by his overly regulated private nurse, Miss Plimsoll, who tries her hardest to ensure that he not return to his hard living ways - including excessive cigar smoking and drinking - while he takes his medication and gets his much needed rest. That case is defending American war veteran Leonard Vole, a poor, out of work, struggling inventor who is accused of murdering his fifty-six year old lonely and wealthy widowed acquaintance, Emily French. The initial evidence is circumstantial but points to Leonard as the murderer. Despite being happily married to East German former beer hall performer Christine Vole, he fostered that friendship with Mrs. French in the hopes that she would finance one of his many inventions to the tune of a few hundred pounds. It thus does ... Written by Huggo

Plot Summary | Plot Synopsis

Plot Keywords:

alibi | murder | widow | german | trial | See All (68) »

Taglines:

Once in 50 years suspense like this! See more »

Genres:

Crime | Drama | Mystery

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

6 February 1958 (USA)  »

Also Known As:

Testigo de cargo  »

Box Office

Budget:

$3,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The film followed the basic story of Agatha Christie's play, but director and co-screenwriter Billy Wilder opened up the story by including numerous scenes that did not take place solely in the courtroom, as the play had, and changed the emphasis from "Leonard Vole" to "Sir Wilfrid Robarts." The character of "Miss Plimsoll" was added to the film, and the name of Leonard Vole's wife "Romaine" was changed to "Christine." See more »

Goofs

When Vole and Wilfrid first meet in his office, he refuses to take the case and puts his wig in its container, closes it, and the lid is noticeably 6 inches from totally closed. The next time we see the container it is completely closed. See more »

Quotes

Sir Wilfrid: I am constantly surprised that women's hats do not provoke more murders.
See more »

Crazy Credits

Before the film begins, a message appears onscreen saying that to avoid ruining the effect of the surprise ending, patrons should not take their seats during the last few minutes of the movie. See more »

Connections

Referenced in Portrait of a '60% Perfect Man': Billy Wilder (1982) See more »

Soundtracks

I May Never Go Home Anymore
Music by Ralph Arthur Roberts
Lyrics by Jack Brooks
Sung by Marlene Dietrich (uncredited)
Reprised a cappella by Tyrone Power (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Fun with Charles and Marlene

To see "Witness for the Prosecution" for the first time in 2008 is a jolting surprise. Nobody could do it better than Billy Wilder did in 1957. A man accused of murder, Tyrone Power, the weakest link in this terrific chain. Sir Wilfred is called to defend him, he is played by the extraordinary Charles Laughton, but he's just out of hospital - he wasn't dismissed he was expelled - and due to doctor's orders he's not to take any criminal cases. He finds Power charming and personable enough but he's not going to risk his life to save his until Marlene Dietrich makes her entrance - and what an entrance! How marvelous that what amounts to a bit of Agatha Christie's usual fare becomes such an entertaining and at times right down riveting piece of film-making.


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Did no one laugh at this? canadianidiott66
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Brilliant casting except for... Cali7
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