Dramatization of President John F. Kennedy's war time experiences during which he captained a PT boat, took it to battle and had it sunk by a Japanese destroyer. He and the survivors had to... See full summary »
A semi-documentary dramatization of five weeks in the life of Vice Admiral William F. "Bull" Halsey, Jr., from his assignment to command the U.S. naval operations in the South Pacific to ... See full summary »
All her life Englishwoman Gladys Aylward knew that China was the place where she belonged. Not qualified to be sent there as a missionary, Gladys works as a domestic to earn the money to ... See full summary »
War correspondent Ernie Pyle joins Company C, 18th Infantry as this American army unit fights its way across North Africa in World War II. He comes to know the soldiers and finds much human... See full summary »
William A. Wellman
The story of General of the Army Douglas MacArthur, Supreme Allied Commander during World War II and United Nations Commander for the Korean War. "MacArthur" begins in 1942, following the ... See full summary »
Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his ... See full summary »
U.S. Navy pilot Frank 'Spig' Wead is a fun-loving and rowdy adventurer, but also a fierce proponent of Naval aviation. His dedication to the promotion of the Navy's flying program is so intense that his marriage and family life suffer. When an accident paralyzes him, Spig finds a new means of expressing his love of flying: screenwriting. Successful and acclaimed, he finds the U.S. entry into World War II to be an irresistible call. Pleading that he be reinstated in the Navy despite his paralysis, Spig finds he has an enormous contribution yet to make. Written by
Jim Beaver <email@example.com>
The character of John Dodge was a fictional version of John Ford. Many of the props in Dodge's office - the Oscars, the pipe, the hollow cane - were borrowed from Ford. See more »
There is a drawing of a cowboy's head on the wall outside Dodge's office. It appears in three different places when Wead first meets Dodge. It can be seen initially three pictures from the right of Dodge's door as Wead approaches the secretary, then it is seen on the opposite wall behind Wead when he enters Dodge's office, and finally it can be seen immediately to the left of Dodge's office door behind Dodge's head when they leave the office. See more »
[the General has just given him some whiskey for Spig]
Well, thank you sir!
[he chugs it and throws it behind the mirror]
They can make better booze in a bathtub!
See more »
I have two fav John Wayne movies and this is one of them. The other is "McLintock!"
Today is the first time I've seen "Wings of Eagles, The" for years and years. Probably because it's always been such an emotional movie for me. I always cry at the ending...most likely because the very thing Spig Wead wanted seemed to elude him. Perhaps because his desire was never really clearly defined, even to him.
As I sat watching it, I got the bright idea of looking it up in the "IMDB" movie database. I was curious about the writing that Wead did and also the timeline. I came across a couple of reviews and decided to add my two sense (sic) worth.
I realized today that the things I like about the movie were partially the things that one of the other reviewers didn't. I LIKE the way Wead's story is presented. It isn't neat and orderly. No cheating endings or story movement. It seems like he was very self-involved and dealt better with other men than with his wife. I suspect that both Spig and Min were trapped by their societal roles in a way that many others were at that time. They did't have that same open way of spilling their guts that we've all embraced in today's world.
Men were men and women...weren't! LOL!
Anyway, I was always crazy about John Wayne and had such a crush on him whenever he'd appear in Navy whites. Something about that craggy face and those blue eyes grabbed me every time. Plus, I share his birthday so that made him extra kewl in my eyes.
Ford was wise NOT to turn this into a typical John "Hero" Wayne vehicle. That was probably why they worked so well together in all of those films. He was no more snowed by Wayne's larger than life personna than Wayne was of Ford's. I would love to have been a fly on the wall when those two were goin' at it.
Although Wayne was fiftyish when he did this film, I think he displayed a good youthful Wead as well as the somewhat more mature one. A better, more subtle acting job than the other reviewer gave him credit for doing.
Time for Spig to bite it so I'm off now...
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