Three thieves rip off a shipment of used money being sent back to the US. As they are escaping the robbery (after having taken a hostage), they wind up on an island in a hotel with an ... See full summary »
Billie and Kristy lead a gang of armed robbers who steal from banks, armoured cars, and the like. When Billie's lover, Jim, gets caught by the police after stashing a large amount of money,... See full summary »
A proper English gentleman, traveling in the American West, inadvertently stops an Indian attack on the stagecoach in which he is a passenger. When the stage gets to the nearest town, the ... See full summary »
Unassuming planning engineer David Webb finds himself on the Queen Elizabeth to New York with instructions to negotiate a high-powered loan. His lack of confidence means he is completely ... See full summary »
A blonde actress is murdered across from a bar. An off-duty cop has been getting pleasantly sloshed, but becomes worried about his innocence when he finds out he was seen leaving the ... See full summary »
Young priest returns from America to work in an old Helsinki neighbourhood with idyllic wooden houses. The shy but handsome bachelor is assigned the duty of marriage counseling but is soon ... See full summary »
In 1896 it is announced that the Olympic Games will be revived in Athens. A young shepherd, Spiridon Loues, decides to enter the 26-mile marathon. Once in Athens, he meets Christina Gratsos... See full summary »
In this spoof of the TV advertising industry, Rockwell Hunter is the low man on the totem pole at the advertising company where he works. That is, until he finds the perfect spokes model for Stay-Put lipstick, the famous actress with the oh-so-kissable lips, Rita Marlowe. Unfortunately, in exchange, Rock has to act publicly as Rita's "Loverdoll", and Rock's fiancée Jenny isn't too happy about it either. Written by
Syam Gadde <firstname.lastname@example.org>
The radio announces Rita Marlowe has just completed a picture with Cary Grant, mere moments before the appearance of Betsy Drake - who at the time was married to Cary Grant. See more »
Breakfast Food Demonstrator:
Each little Crunchie contains energy, contains pep for your growing youngsters, builds strong legs so that when they're older they can stand the long waits in the unemployment lines.
See more »
At the very start, Tony Randall appears on-screen before the 20th Century Fox logo, with musical instruments, and plays part of the fanfare himself. He then complains about "the fine print" in his contract, before introducing the cast and the movie. As he introduces the film, he forgets the title, first calling it The Girl Can't Help It (1956). Then he says "no we made that one already", and then he rummages through his pockets for his notes and comes up with a girl's name and phone number. Finally, his three female co-stars appear to announce the film's correct title. See more »
Advertising man makes publicity deal with voluptuous Hollywood star.
Hilarious spoof of the mammary-worshipping 1950's. The innuendos fly fast and furious so keep an ear cocked. Sure, viewers see much racier material now on TV. Still, the dialog's clever, the visuals inventive, and the cast superb. Director Tashlin's satiric eye is penetrating and years ahead, as the 1960's-like ending suggests.
That spoof of TV advertising is especially funny and still timely. Keep in mind that the TV medium was still new and so was making fun of its life-blood commercials. I love it when the jalopy crumbles under the salesman's boastful pitch. Corporations were also growing, laying out a new yardstick for success. So, Hunter's ecstatic delight with a symbolic key-to-the-washroom is not far off. And, of course, there's Rita's (Mansfield) low-hanging sex appeal, doubly emblematic of the time.
But Mansfield's also an adept comedienne. Catch how well she spoofs her own role. And were there two more droll characters than Randall and the underrated Henry Jones. Their little tete-a-tete's fairly ooze with actors' delight. Good also to see that great brassy dame Joan Blondell pick up a payday. (Catch the rather humorous shot of her coming rump-first out of the sleeping berth, which seems Tashlin's style, even with minor details.) Looks like someone also threw her the big dramatic grieving scene, maybe out of respect for her veteran status.
Anyway, the movie's a delightful glimpse of that strait-jacketed decade's more vulnerable absurdities, and in Technicolor's brightest candy box colors. Arguably, it's Tashlin's best.
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