"Doctor" Jayne Mansfield is in Italy to show a peer her documentary about mating customs from around the world while at the same time having to deal with two bellhops who have an idea or two about mating with Jayne.
Joan Collins, Jayne Mansfield and Dan Dailey star in this engaging drama based on a novel by John Steinbeck. Three strangers - a stripper (Mansfield), an alcoholic wife (Collins) and a ... See full summary »
A blonde actress is murdered across from a bar. An off-duty cop has been getting pleasantly sloshed, but becomes worried about his innocence when he finds out he was seen leaving the ... See full summary »
In London's Soho, Johnny Solo runs the Pink Flamingo Club. He's tough to intimidate. So when he starts getting threats and demands for protection, he fights back. Behind the takeover plot ... See full summary »
A proper English gentleman, traveling in the American West, inadvertently stops an Indian attack on the stagecoach in which he is a passenger. When the stage gets to the nearest town, the ... See full summary »
Billie and Kristy lead a gang of armed robbers who steal from banks, armoured cars, and the like. When Billie's lover, Jim, gets caught by the police after stashing a large amount of money,... See full summary »
Off the coast of Florida, a nearly-deserted island is rumored to have the fountain of youth. A boatload of teenage kids are headed there for a scavenger hunt. Wellington, the island's ... See full summary »
Jack E. Leonard,
In this spoof of the TV advertising industry, Rockwell Hunter is the low man on the totem pole at the advertising company where he works. That is, until he finds the perfect spokes model for Stay-Put lipstick, the famous actress with the oh-so-kissable lips, Rita Marlowe. Unfortunately, in exchange, Rock has to act publicly as Rita's "Loverdoll", and Rock's fiancée Jenny isn't too happy about it either. Written by
Syam Gadde <firstname.lastname@example.org>
Advertising man makes publicity deal with voluptuous Hollywood star.
Hilarious spoof of the mammary-worshipping 1950's. The innuendos fly fast and furious so keep an ear cocked. Sure, viewers see much racier material now on TV. Still, the dialog's clever, the visuals inventive, and the cast superb. Director Tashlin's satiric eye is penetrating and years ahead, as the 1960's-like ending suggests.
That spoof of TV advertising is especially funny and still timely. Keep in mind that the TV medium was still new and so was making fun of its life-blood commercials. I love it when the jalopy crumbles under the salesman's boastful pitch. Corporations were also growing, laying out a new yardstick for success. So, Hunter's ecstatic delight with a symbolic key-to-the-washroom is not far off. And, of course, there's Rita's (Mansfield) low-hanging sex appeal, doubly emblematic of the time.
But Mansfield's also an adept comedienne. Catch how well she spoofs her own role. And were there two more droll characters than Randall and the underrated Henry Jones. Their little tete-a-tete's fairly ooze with actors' delight. Good also to see that great brassy dame Joan Blondell pick up a payday. (Catch the rather humorous shot of her coming rump-first out of the sleeping berth, which seems Tashlin's style, even with minor details.) Looks like someone also threw her the big dramatic grieving scene, maybe out of respect for her veteran status.
Anyway, the movie's a delightful glimpse of that strait-jacketed decade's more vulnerable absurdities, and in Technicolor's brightest candy box colors. Arguably, it's Tashlin's best.
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