| Joan Collins | ... | Alice Chicoy | |
| Jayne Mansfield | ... | Camille Oakes | |
| Dan Dailey | ... | Ernest Horton | |
| Rick Jason | ... | Johnny Chicoy | |
| Betty Lou Keim | ... | Norma , the counter girl | |
| Dolores Michaels | ... | Mildred Pritchard | |
| Larry Keating | ... | Elliott Pritchard | |
| Robert Bray | ... | Morse | |
| Kathryn Givney | ... | Mrs. Elliott (Bernice) Pritchard | |
| Dee Pollack | ... | Ed 'Pimples' Carson | |
| Will Wright | ... | Van Brunt | |
| rest of cast listed alphabetically: | |||
| Roy Bourgeois | ... | Andrews (uncredited) | |
| Mary Carroll | ... | Mrs. Breed (uncredited) | |
| Harry Carter | ... | Bus Driver (uncredited) | |
| Joe Devlin | ... | Bus Dispatcher (uncredited) | |
| Milton Frome | ... | Stanton (uncredited) | |
| Tom Greenway | ... | Mr. Breed (uncredited) | |
| Anna Luther | ... | Bit Role (uncredited) | |
| James Stone | ... | Jowett (uncredited) | |
| Harry Tyler | ... | Ticket Seller (uncredited) | |
| Ruth Warren | ... | Bit Role (uncredited) | |
Directed by | |||
| Victor Vicas | |||
Writing credits(in alphabetical order) | ||
| Ivan Moffat | ||
| John Steinbeck | novel "The Wayward Bus" | |
Produced by | |||
| Charles Brackett | .... | producer | |
Original Music by | |||
| Leigh Harline | |||
Cinematography by | |||
| Charles G. Clarke | |||
Film Editing by | |||
| Louis R. Loeffler | |||
Casting by | |||
| George Light | (uncredited) | ||
Art Direction by | |||
| Walter M. Simonds | |||
| Lyle R. Wheeler | |||
Set Decoration by | |||
| Fay Babcock | |||
| Walter M. Scott | |||
Costume Design by | |||
| Charles Le Maire | (executive wardrobe designer) | ||
| Mary Wills | |||
Makeup Department | |||
| Ben Nye | .... | makeup artist | |
| Helen Turpin | .... | hair stylist | |
| Sidney Perell | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| William Eckhardt | .... | assistant director | |
| Claude Binyon Jr. | .... | second assistant director (uncredited) | |
Sound Department | |||
| Alfred Bruzlin | .... | sound | |
| Frank Moran | .... | sound | |
| Don Raubiere | .... | recordist (uncredited) | |
Special Effects by | |||
| L.B. Abbott | .... | special effects | |
Camera and Electrical Department | |||
| David McEwen | .... | assistant camera (uncredited) | |
| Ray Nolan | .... | still photographer (uncredited) | |
| Cliff Shirpser | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Willie Mae Neal | .... | wardrobe (uncredited) | |
| Merle Williams | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Lyman Hallowell | .... | assistant editor (uncredited) | |
| Orven Schanzer | .... | first assistant editor (uncredited) | |
Music Department | |||
| Lionel Newman | .... | conductor | |
| Edward B. Powell | .... | orchestrator | |
Other crew | |||
| Harry Seymour | .... | dialogue coach (uncredited) | |
| Kay Thackery | .... | script supervisor (uncredited) | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Like many Steinbeck stories, this is more of a snapshot of a time and place as opposed to a rigid start-middle-end kind of movie. What we get here is a look into the lives of a bunch of characters with many of their respective futures left open to interpretation.
So we have the buffoonish travelling salesman, the alcoholic diner owner, the teen dreaming of Hollywood stardom, the rugged bus driver, the embarrassed stripper, the repressed teen...the list goes on. Basically, a cross section of society travel on a bus whose journey is as unpredictable and dangerous as that of the lives of most of the passengers aboard.
While it's not the most riveting of movies, and the vastness of Cinemascope certainly spoils the intimacy of some of the scenes, it is a solid little drama in the kitchen sink/new wave style that is an entertaining watch from start to finish. While the copy I own on DVD has clearly been copied from a television broadcast resulting in fluffy picture and muffled sound, I still enjoyed (and repeatedly enjoy) watching this film.
The standout? But Jayne Mansfield of course. If Marilyn silenced the critics that she could act with a movie about a bus, then so did our Jayne. Of course the platinum blonde tresses and eye-popping figure are present and correct but gone are the silly wiggle, the high pitched squeals and the plunging necklines. Here, in a rare straight dramatic performance, Jayne present Camille not as a cartoon character a la Jessica Rabbit, but rather a sex symbol with feelings, someone who is employed for her looks but has fears and emotions beneath the surface. Jayne moves and talks naturally in this film and is a revelation.
How sad that after this solid performance and her wonderful turn as Rita Marlow in Rock Hunter, ego would dictate that she would agree to appear with Cary Grant in what many consider the final nail in her A-list film career, Kiss Them For Me...a truly abysmal waste of time.
But forget about her career mistakes; Jayne is solid gold here and this is well worth a watch.