The Vintage (1957) Poster

(1957)

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6/10
Mouth Watering
abooboo-211 August 2001
Warning: Spoilers
Actually half decent, though with a fatal flaw at its center: John Kerr's limp, indifferent performance as an Italian (!) on the run from the law for committing a murder. He and Mel Ferrer, playing his protective brother, do not look even remotely Italian! Kerr especially is as American as American can be. He always seems like he's trying to screw up the courage to ask the prettiest cheerleader to the big dance. It's impossible to overlook and makes it very difficult to get into the story. Kerr is supposed to be the rebel, the hothead, the time bomb, and it just does not come across at all.

Ferrer does not fare much better. He seems hollow, computerized, though he briefly comes to life in a couple scenes with glowing Pier Angeli. Ferrer is the dramatic equivalent of a kite on a not terribly windy day. He has practically no weight. Theodore Bikel's earthy, lusty turn as a transient grape picker is like a life preserver around the film. He resuscitates the picture and gets it back on its feet again after an uninspired opening.

"The Vintage" (those two words get said a lot throughout and take things uncomfortably close to self-parody at times) really benefits from a soaring score and that epic CinemaScope look. The shots of those freshly picked, vibrantly purple grapes are absolutely mouth watering. The tragic ending really could've been memorable had the movie been cast with better skilled, more dynamic actors.
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A field of purple passion...
Nazi_Fighter_David11 August 2001
Warning: Spoilers
Lucienne (Pier Angeli) and Leone (Michele Morgan) are sisters whose placid life in a vineyard is made turbulent by two Italian fugitives from the law, Mel Ferrer and John Kerr... Restraint is the keynote of their acting under Jeffrey Hayden's direction...

Pier Angeli plays the sweet and fragile innocent girl caught up with a man whose main attention is for his youngest brother... Michele Morgan plays the refined married woman turned between a jealous husband and a man wanted for murder... Leone wants to know what it is to be desired again...

Mel Ferrer is Carlo, with nothing to give 'the dark-haired, brown-eyed, Botticelli angel-faced,' Lucienne... Carlos has no roots, no job, no home...

John Kerr is Ernesto, the suffering man in trouble with the police, and in love with the intelligent-looking beauty...

Leif Erickson, Theodore Bikel and Jack Mullaney are conscience farmers at heart, bringing their energy and talent to the winer...

Filmed in CinemaScope and Technicolor, 'The Vintage' is a field of purple passion with fine tasting, graceful dancing, and breathtaking Mediterranean setting...
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4/10
Lost in the Grapevine
wes-connors7 May 2012
Crossing the border to France from their native Italy are runaway brothers Mel Ferrer (as Giancarlo Barandero) and John Kerr (as Ernesto Barandero). The younger Mr. Kerr is wanted for murder. Looking for jobs as "pickers" for "The Vintage" (grape crop) brings the two men to a vineyard run by Leif Erickson (as Louis Morel) and his earthy wife Michele Morgan (as Leone). Her young and beautiful sister Pier Angeli (as Lucienne) looks riper than the grapes, though she is due to marry Jack Mullaney (as Etienne Morel). The fugitive men stir up desire in the womenfolk. You would expect this group to ignite some passion on the screen, but no. Only the scenery seems real.

**** The Vintage (5/8/57) Jeffrey Hayden ~ Mel Ferrer, Pier Angeli, John Kerr, Michele Morgan
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Rosé De Provence
dbdumonteil5 June 2008
For a French audience,the main interest lies in the presence of Michèle Morgan,cast against type as a peasant woman (and a brunette).French oldies buff will recognize Helena Manson,Marcel Peres and Jacques Marin in small parts.

it's difficult to believe John Kerr and the late Mel Ferrer are brothers on the lam,for the youngest committed a crime in his native Italy .Filmed on location near Marseille ,its best scenes depict grape harvest fifty years ago.But the story is too derivative to be really exciting;too much of it is predictable .

It will remind French people of a time when Italians were emigrating into their country,an age that has gone.
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