Up and coming, young lawyer Anthony Lawrence faces several ethical and emotional dilemmas as he climbs the Philadelphia social ladder. His personal and professional skills are tested as he ... See full summary »
Drifter Chance Wayne returns to his hometown after many years of trying to make it in the movies. Arriving with him is a faded film star he picked up along the way, Alexandra Del Lago. ... See full summary »
Jean Simmons (a school teacher) takes a secretarial job in a nightclub. The two club owners quibble about a lot, including her. Unfortunately, she develops an interest for the partner who disapproves of her employment at the club.
Aspen Pictures, owned by Mark Robson and Robert Wise, bought two stories from James A. Michener's anthology "Return to Paradise." After Robson filmed one of the stories as "Return to Paradise" with Gary Cooper, they ran out of funding and had to sell the rights to the other story, "Until They Sail" to Burt Lancaster. Some years later the it ended up with Charles Schnee at MGM. By then Wise was at Metro and requested to film the property. See more »
Many of the women's hairdos belong to the 1950s, rather than the 1940s. See more »
Glossy, well-acted WWII tale...nothing dynamic, but engaging
James A. Michener's WWII tale of four sisters in a seaside New Zealand home who experience the highs and lows of love. With nearly all the men in their town off fighting in the war, the gals are at first apprehensive, but finally grateful when the streets fill up with American Yanks on leave. Joan Fontaine, as the eldest of the clan, falls for handsome soldier Charles Drake from Oklahoma (and has his child out of wedlock!), while Jean Simmons manages to get close to cynical, hard-drinking Paul Newman. Piper Laurie, as sort of the beautiful black sheep of the family, tires quickly of her sudden marriage and heads off to nearby Wellington to play the field. Sandra Dee, in her film debut, is very cute as a dimply, growing 15-year-old with a passion for boys. Attractive M-G-M production surprises in its openness of sexual matters, yet the flashback framework was unnecessary, as were the stock-shots of battleships on the horizon (making it seem as if the girls live on their own private island). Though each actor gets equal screen-time, Laurie nearly steals the picture with a finely-etched portrayal of a young woman desperately trying to find herself--and feeling the strangulation of family ties (she's also extraordinarily lovely here). Not up to the classics of the wartime movie genre, but certainly not bad. **1/2 from ****
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