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Assignment Redhead (1958)

Undercover Girl (original title)
This film is also known as Undercover Girl.



(screenplay), (story) | 1 more credit »


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Cast overview, first billed only:
Paul Carpenter ...
Johnny Carter
Kay Callard ...
Joan Foster
Monica Grey ...
Evelyn King
Ted Austin
Maya Koumani ...
Miss Brazil
Kim Parker ...
Tony Quinn ...
Mike O'Sullivan
John Boxer ...
Ken Farrell, the Editor
Alexander Field ...
Mr. Hunter, accident victim
Paddy Ryan ...
Cash, the man with the gun
Mac, thug with beard
Eleanor Leigh ...
Det. Insp. Willingdon (as Bob Raglan)
George Roderick ...
Johnson, man following Johnny


This film is also known as Undercover Girl.

Plot Summary | Add Synopsis




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Release Date:

January 1958 (UK)  »

Also Known As:

Assignment Redhead  »

Company Credits

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Technical Specs


Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.66 : 1
See  »

Did You Know?


Made for just £15,000. See more »

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User Reviews

Pedestrian crime film with familiar ingredients
29 May 2012 | by (United Kingdom) – See all my reviews

Some confusion exists over UNDERCOVER GIRL, as it was released in the US under the equally meaningless title ASSIGNMENT REDHEAD. This happened to be the name of another British crime film, made the previous year and known in the US as MILLION DOLLAR MANHUNT, thus leading to credits for the two productions getting muddled on occasions.

Here, regular 'B' lead Paul Carpenter plays a photographer taking over the investigation into a shady nightclub owner, whom, he believes, is responsible for his reporter brother-in-law's murder. He works for the kind of magazine that mixes glamour photos with articles "lifting the lid off Soho" and exposing gambling rackets - "what goes on behind the net curtains". So much for the supposedly sedate Britain of 1957. Meanwhile Carpenter's girlfriend Kay Callard is concerned about sister Jackie Collins who's also involved with the vicious club owner/gangster, played by Bruce Seton, best known at the time for his portrayal of that exemplar of 1950s law and order, Fabian of the Yard.

Carpenter uncovers a blackmail racket and drug pushing, centred on a dodgy nursing home, but, flatly presented and directed, it's not as interesting as it sounds. Obviously made on a low budget, time is padded out with Carpenter taking photos of Maya Koumani as 'Miss Brazil' while the background score of Bill Trytel further reinforces the resemblance to the kind of 1930s quota quickie of which he was a veteran. As an actress, Jackie Collins doesn't do badly, though inevitably, is more memorable for her sensational figure.

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