An expatriate American living in Madrid, former Air Force pilot Lloyd Tredman (Robert Taylor) is haunted by his memories of the Korean War and refuses to fly. So when he loses his last ...
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Detective Chris Kelvaney has a brother, Eddie, who also is a policeman. He witnessed a murderer running away from the scene of the crime. Chris has contacts with the gangster Beaumonte, who... See full summary »
This melodrama starring Robert Taylor and Burl Ives was directed by Henry Koster. An American business executive working in England wants to marry European refugee Elizabeth Mueller, but he... See full summary »
Even though Peter and Kimani grow up together, Kimani soon finds that different races are treated differently. After the father of Kimani is jailed for following tribal customs, Kimani ... See full summary »
Set in the early 1880s, this is the story of one of the last buffalo hunts in the Northwest. Sandy McKinzie is tired of hunting buffalo, and tired of killing-Charley on the other hand ... See full summary »
An expatriate American living in Madrid, former Air Force pilot Lloyd Tredman (Robert Taylor) is haunted by his memories of the Korean War and refuses to fly. So when he loses his last dollar on a horserace fixed by a smuggler, he forces himself to accept a $25,000 offer to transport a box of contraband currency from Egypt to Spain. But as Tredman makes the return flight home, he discovers his cargo also includes heroin as he races across the Mediterranean with Interpol hot on his trail. Costarring Academy Award winner* Dorothy Malone and Jack Lord (Hawaii Five-O), Tip on a Dead Jockey was adapted by Charles Lederer (Kiss of Death) from a short story by best-selling novelist Irwin Shaw. Originally intended for Orson Welles, it was directed instead by Richard Thorpe, the sixth of eight films he would make with Robert Taylor, which include the swashbuckling classics Ivanhoe (1952) and Knights of the Round Table (1953). Written by
During the mid-50s, Orson Welles was briefly involved with this project as a potential director and worked with Charles Lederer on a version of the script; this was not used for the final movie. See more »
A wooden treatment of a shell shocked Korean war vet expatting it in Madrid. Malone barely registers ennui, disillusionment, or any other weight of the world characteristics; he acts more like the suburban dad opting not to shave all weekend. Dalio, the Casablanca croupier, is reduced to playing Malone's colorful sidekick, but a little goes a long way. Jack Lord and his Kennedyesque hairdo go through the motions. Bits of the script, co-written by Shaw, stand out, especially Malone comparing his domestic situation to a Balzac story, "too many people." The title drew me in, and I got a pig in a poke.
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