An expatriate American living in Madrid, former Air Force pilot Lloyd Tredman (Robert Taylor) is haunted by his memories of the Korean War and refuses to fly. So when he loses his last ...
See full summary »
Country squire Henry Maurier is patient with his wife Emily, a neurotic invalid, but her brother surprises Henry with his young mistress Doris. The same night, Emily dies of her chronic ... See full summary »
Set in the early 1880s, this is the story of one of the last buffalo hunts in the Northwest. Sandy McKinzie is tired of hunting buffalo, and tired of killing-Charley on the other hand ... See full summary »
Outlaw Clint Hollister escapes from jail with the help of Marshal Jake Wade, because once Clint did the same for him. Jake left Clint just after, but Clint finds him back and forces Jake to... See full summary »
A widowed schoolteacher arrives at a Seminole Reservation in the Florida Everglades with his three children. He's determined to bring these Indians into the modern world but his contempt for their ways meets with resistance.
An expatriate American living in Madrid, former Air Force pilot Lloyd Tredman (Robert Taylor) is haunted by his memories of the Korean War and refuses to fly. So when he loses his last dollar on a horserace fixed by a smuggler, he forces himself to accept a $25,000 offer to transport a box of contraband currency from Egypt to Spain. But as Tredman makes the return flight home, he discovers his cargo also includes heroin as he races across the Mediterranean with Interpol hot on his trail. Costarring Academy Award winner* Dorothy Malone and Jack Lord (Hawaii Five-O), Tip on a Dead Jockey was adapted by Charles Lederer (Kiss of Death) from a short story by best-selling novelist Irwin Shaw. Originally intended for Orson Welles, it was directed instead by Richard Thorpe, the sixth of eight films he would make with Robert Taylor, which include the swashbuckling classics Ivanhoe (1952) and Knights of the Round Table (1953). Written by
A wooden treatment of a shell shocked Korean war vet expatting it in Madrid. Malone barely registers ennui, disillusionment, or any other weight of the world characteristics; he acts more like the suburban dad opting not to shave all weekend. Dalio, the Casablanca croupier, is reduced to playing Malone's colorful sidekick, but a little goes a long way. Jack Lord and his Kennedyesque hairdo go through the motions. Bits of the script, co-written by Shaw, stand out, especially Malone comparing his domestic situation to a Balzac story, "too many people." The title drew me in, and I got a pig in a poke.
7 of 22 people found this review helpful.
Was this review helpful to you?