Outlaw Clint Hollister escapes from jail with the help of Marshal Jake Wade, because once Clint did the same for him. Jake left Clint just after, but Clint finds him back and forces Jake to... See full summary »
Sgt. Joe Lawrence is an American Army officer who falls in love with a refugee trying to raise enough money to move a group of German orphans to South America, where they can start life ... See full summary »
Lawyer Ralph Anderson arrives in Tula, an amazingly remote town in the desert, as reluctant emissary of mob chief Victor Massonetti, who wants the airstrip clear for his unofficial exit ... See full summary »
Vienna, 1956. After Soviet tanks crush the Hungarian uprising, soldier-of-fortune Mike Reynolds is hired to help a threatened Hungarian scientist (Prof. Jansci) escape from Budapest. He and... See full summary »
During the Cold War, a scientific team refits a Japanese submarine and hires an ex-Navy officer to find a secret Chinese atomic island base and prevent a Communist plot against America that could trigger WW3.
The new commander of a Navy Underwater Demolition Team--nicknamed "Frogmen"--must earn the respect of the men in his unit, who are still grieving over the death of their former commander and resentful of the new one.
Military investigator Colonel William Edwards is assigned a case involving Major Harry Cargill, a Korean War prisoner of war who is accused of aiding the enemy. Although Cargill admits his guilt and Edwards' superiors are impatiently pushing him to move this case to court-martial, Edwards doubts eventually convinces him of Cargill's innocence. Written by
Marty McKee <email@example.com>
When Miller throws his punch, it clearly misses to the left even though the victim's head snaps back. See more »
Maj. Harry Cargill:
A man can be a hero all his life, but if in the last month of it, or the last week, or even the last minute, the pressure becomes too great and he breaks, then he's branded for life. You can't ask a man to be a hero forever. There ought to be a time limit.
Lt. Gen. J. Connors:
There is no defense for treason.
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Richard Widmark exudes concern and empathy as an army colonel investigating the circumstances behind a charge of treason. The film also contains effective performances by Richard Basehart, as the accused traitor, a major who shares a secret he is unwilling to reveal, and a young Rip Torn as a lieutenant who is also willing to keep the secret even though he knows it will lead to a miscarriage of justice. The film is based on a play, and Karl Malden, in his only directing assignment, tries hard to open it up, but most of the scenes take place in Widmark's office, and there are way too many point of view shots of one person talking while another listens. Malden does make effective use of a few flashbacks to a frigid P.O.W. barracks in North Korea, and there are some interesting shots of the military base at Governors Island in New York City, but the film suffers somewhat from staginess. Piercing, discordant, almost alarmingly loud music by Fred Steiner punctuates scenes in the P.O.W. camps, where a complex mixture of motives lead to actions that have devastating consequences.
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