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Three Sundays to Live (1957)

4.6
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Ratings: 4.6/10 from 29 users  
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Band Leader Frank Martin is accused of murdering the shady owner of the club where he's performing. He is innocent of the crime, but his only alibi is Ruth Chapman, a sexy blonde singer who... See full summary »

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Title: Three Sundays to Live (1957)

Three Sundays to Live (1957) on IMDb 4.6/10

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Cast

Complete credited cast:
Kieron Moore ...
Frank Martin
Jane Griffiths ...
Judy
Basil Dignam ...
Davitt
Sandra Dorne ...
Ruth Chapman
Hal Ayer ...
Al Murry
John Stone ...
Detective Inspector
...
Police Sergeant
John Longden ...
Warder
Ferdy Mayne ...
Davis
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Storyline

Band Leader Frank Martin is accused of murdering the shady owner of the club where he's performing. He is innocent of the crime, but his only alibi is Ruth Chapman, a sexy blonde singer who was with him at the time of the murder. When Ruth disappears, and cannot be found, Frank is tried, convicted and sentenced to death. As the time for his execution draws near, his fiancée Judy and friends search desperately for the missing woman. Written by Mike Rogers <MICHAELPEM@aol.com>

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Thriller

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Release Date:

October 1957 (France)  »

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1.37 : 1
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wrongly accused
29 April 2013 | by (United States) – See all my reviews

"Three Sundays to Live" is a 1957 low-budget film starring Kieron Moore, Jane Griffiths, and Sandra Dorne.

Kieron plays Frank Martin, a band leader who is asked by a young woman (Dorne) to bring her to see the big boss. She says her name is Ruth Chapman, she once worked for the owner, and is in need of a job. When they arrive at the office, someone kills the owner and knocks out Martin. When he comes to, he runs into the police, who arrest him for the murder. He is found guilty and sentenced to be executed.

His girlfriend (Griffiths) is determined to help him find Ruth Chapman, who supposedly died in the U.S. some years earlier. Finally, with time growing short, Frank escapes to try to solve the situation himself.

Derivative film without a lot going for it, except that Griffiths and Dorne are both beautiful. Moore isn't impressive. Very ordinary film.


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