2 items from 2016
True-Crime Terror! Richard Fleischer and Edward Anhalt’s riveting serial killer makes extensive use of split- and multi-screen imagery. One of the most infamous murder sprees on record fudges some facts but still impresses as a novel approach.
1968 / Color / 2:35 widescreen / 116 min. / Street Date November 15, 2016 / Available from the Twilight Time Movies Store 29.95
Cinematography Richard H. Kline
Film Editor Marion Rothman
Produced by Robert Fryer
Directed by Richard Fleischer
Reviewed by Glenn Erickson
Twelve years ago i wasn’t all that impressed with The Boston Strangler. I thought it too slick and felt that its noted multi-screen sequences were a trick gimmick. I appreciate it more now — except for the name cast, »
- Glenn Erickson
“The Color of Money” wasn’t a Martin Scorsese project: iI was a Paul Newman project. The acclaimed actor, an enormous fan of “Raging Bull,” wrote the director a fan letter asking to make a picture based on a 1984 novel by Walter Tevis. The resulting film is one of Scorsese’s most uncharacteristic, framing the story as comeback narrative for Newman’s pool hustler Fast Eddie Felson — though it’s arguable they never really show him leaving the game at all.
The final film lets Newman’s star persona bounce off the power of a rising Tom Cruise in an oddly sweet and optimistic package, one that would finally win Paul Newman his first Oscar in 1987 for Best Actor. A few weeks before the ceremony, Newman sat down with “Film 87” host Russell Harty to talk about that elusive trophy, as well as what it’s like to be Paul Newman »
- Russell Goldman
2 items from 2016
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