Rachel is a 35 year old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions about her life and where she wants it to go.
From the Pullizer Prize winning play by Paul Zindel, this is the story of Beatrice Hunsdorfer and her daughters, Ruth and Matilda. A middle-aged widowed eccentric, Beatrice is looking for ... See full summary »
Aundrea Falberg is so convinced that her boss, former singing sensation Evie Brown, was Hitler's girlfriend Eva Braun, she recruits the last person in the world she would ever ask for help,... See full summary »
Eve White is a quiet, mousy, unassuming wife and mother who keeps suffering from headaches and occasional black outs. Eventually she is sent to see psychiatrist Dr. Luther, and, while under hypnosis, a whole new personality emerges: the racy, wild, fun-loving Eve Black. Under continued therapy, yet a third personality appears, the relatively stable Jane. This film, based on the true-life case of a multiple personality, chronicles Dr. Luther's attempts to reconcile the three faces of Eve. multiple personalities. Written by
The three literary works that Eve quotes from are "They Are All Gone into the World of Light" by Henry Vaughan ('Dear beauteous death ...'), "Locksley Hall" by Alfred Lord Tennyson ("Love took up the glass of time...") and "Two Noble Kinsmen" by William Shakespeare ('This world's a city full of straying streets ...'). See more »
In at least two scenes, including the opening with Eve being driven to the doctor's office, there are cars in the background newer than 1951 when the scene is indicated to be taking place. See more »
Don't you want to get me one?
Well, I've never seen you take a drink before.
Honey, there are a lot of things you've never seen me do before. That's no sign I don't do 'em.
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Increasingly dated but with a chilling, compact effect.
The Three Faces of Eve (1957)
A lot of movies tell you they are based on facts, and it doesn't always matter in particular, or it even distracts because with fact, there are limits, and with fiction, there are none.
But if this movie was NOT based on fact, it would come off a little cheesy and a hair slim. There really isn't much a plot, or, oddly, development. The key twist happens right away, and is explained, through narration and by the main male lead, Lee J. Cobb, playing a psychiatrist. From there it is a matter of thinking, wow, this really happened?
And it happened to a young woman played here with energy by Joanne Woodward. I think it's a beautiful performance, an appropriate one, but the style of this quasi-documentary style movie makes it a little plasticky, too, chilling in a fake way. With keyed in music with each change of personality.
So there is something utterly amazing and chilling going on here, as a movie, and as psychology, but within constraints of its own making.
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