6.9/10
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11 user 3 critic

This Could Be the Night (1957)

Jean Simmons (a school teacher) takes a secretarial job in a nightclub. The two club owners quibble about a lot, including her. Unfortunately, she develops an interest for the partner who disapproves of her employment at the club.

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Writers:

(short stories),
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Nominated for 1 Golden Globe. See more awards »
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Cast

Cast overview, first billed only:
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Julie Wilson ...
Neile Adams ...
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Leon - Chef
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Mrs. Katie Shea - Landlady
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Ziggy Dawit - Columnist
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Mr. Shea - Landlord
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Bruce Cameron (as William Ogden Joyce)
James Todd ...
Mr. Hallerby
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Storyline

Jean Simmons (a school teacher) takes a secretarial job in a nightclub. The two club owners quibble about a lot, including her. Unfortunately, she develops an interest for the partner who disapproves of her employment at the club.

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

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Details

Country:

Language:

Release Date:

14 February 1958 (West Germany)  »

Also Known As:

Esta Noite ou Nunca  »

Company Credits

Production Co:

 »
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Technical Specs

Sound Mix:

(Westrex Recording System)|

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Film debut of Anthony Franciosa. See more »

Quotes

Tony Armotti: Mike, another slug.
Waiter: Hey Tony, how come Baby quit?
Eduardo, the Headwaiter: Roc wants to talk to you, I know that it's none of my business but I'm curious about why Baby quit.
Tony Armotti: Eddie, please, don't ask me, if you know what's good for you, don't ask me.
See more »

Connections

References Dames (1934) See more »

Soundtracks

Club Tonic Blues
(uncredited)
Written by Marvin Wright, Jack Baker and Jackie Mills
Performed by Ray Anthony and His Orchestra
See more »

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User Reviews

Underrated musical has charm, great '50s period piece.
3 February 2017 | by (United States) – See all my reviews

THIS COULD BE THE NIGHT is an earlier effort for director Robert Wise. He does a good job in this "nightclub musical." Tony Franciosa and Jean Simmons have a great chemistry together in this, and Paul Douglas is very good as the former bootlegger with a heart of gold. There are many fine character actors in this, namely Joan Blondell, Frank Ferguson and, in one scene, Zasu Pitts. Julie Wilson smoulders in her musical numbers, and Neile Adams pops off the screen in hers. It's interesting to see an integrated school classroom here, as there weren't many seen on the screen or on television in 1957. Rafael Campos plays a bus boy who is taunted because of his middle-eastern lineage. He wants desperately to pass algebra so his Father will allow him to change his name. He does a good job here, although today, he would have to show more pride in his name, rather than try to Angelicize it. The colorful characters here are well- drawn, and we care about them. That's what makes spending a little time at the Tonic night club an enjoyable experience. I had the opportunity to see the late Julie Wilson perform in Chicago in 1999. It was while seeing her that I learned about the existence of this movie. She talked about "this little movie I appeared in" as if she had a tiny role. So I was surprised to see that she not only had a substantial part, but sings in several spots in the film, including over the opening credits. A breezy, fun musical from the end of MGMs glory days.


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