Two brothers, scientists Scott and Tony Nelson, develop an amplifier which enables a person to enter a 4th dimensional state, allowing him to pass through any object. Scott experiments on ... See full summary »
Irvin S. Yeaworth Jr.
The monster, which looks like a nastier version of "The Creature from the Black Lagoon," invades a sleepy lighthouse town. The superstitious lighthouse keeper is worried for the safety of ... See full summary »
Heroic, but dull, Fred Maklin and beautiful, but spoiled, Jerrie Turner wash up on an uncharted tropical island. They are soon captured by ex-Nazi Colonel Osler, who also has imprisoned a ... See full summary »
Richard E. Cunha
Victor Sen Yung
An alien agent from the distant planet Davana is sent to Earth via a high-tech matter transporter. There, he terrorizes Southern California in an attempt to acquire blood for his dying race, the result of a devastating nuclear war.
Gor, a powerful criminal brain from the planet Arous, assumes the body of scientist Steve March. Through March, he begins to control the world by threatening destruction to any country ... See full summary »
In a little Western town, a boy is subjected to rays from a meteor. As a result, he grows into a teenaged, hairy, psychopathic killer. His mother hides him in her basement. Written by
Paul White <email@example.com>
The first day's shooting was "day for night". Because the new director of photography was inexperienced in shooting day for night,the entire day's shooting had to be scrapped because the camera negative was so underexposed that an acceptable image could not be printed from it. See more »
When Kathy is on the bed her head changes position between shots; in the wider shot she is looking away from the window, in the close up towards it. Simultaneously, in the wide shot the 'monster' is to the left hand side of the window but in the close up that follows, he has jumped to the right. See more »
TEENAGE MONSTER was originally produced under the title MONSTER ON THE HILL, and was also known as METEOR MONSTER. Heading the cast is the former 1940s Universal star Anne Gwynne, trapped into a role she probably needed to meet some bills. The pretty Gwynne was known for such Karloff, Lugosi, and Chaney Jr. oldies like BLACK Friday, WEIRD WOMAN, and HOUSE OF FRANKENSTEIN. Here she starts out as a typical mother and housewife in the Old West whose life is thrown into turmoil when a cheap Fourth Of July sparkler in the sky (it's supposed to be a deadly meteor!) crashes down and kills her husband. Worse still is the handicap it leaves upon her little boy Charles: he's now a scarred and brain damaged brute.
Zooming ahead several years later, we see the "teenaged" boy as he now exists since the tragedy: a six-foot-something hairy dimwit with bad teeth and shaggy hair. The boy was portrayed by stuntman Gil Perkins, well over age fifty and who himself was a former Wolf Man and Frankenstein monster double from the Universal classics of the 40s! For TEENAGE MONSTER he was made up by the once great Jack Pierce, whose new '50s get-ups were starting to look kind of crappy and rushed, leaving him looking like a cross between Glenn Strange in THE MAD MONSTER and John Bloom in THE INCREDIBLE TWO-HEADED TRANSPLANT.
Gwynne tries to keep her mutant son hidden from the townsfolk, but junior tends to get into mischief by killing someone or something every so often anyway. Mom has also become wealthy in the aftermath of her husband's demise, and once a young waitress gets wind of the shady goings-on, she blackmails Gwynne by threatening to expose Charles unless she receives a steady chunk of change on a regular basis. She gradually gains control over the mangy halfwit too, sending her pawn out to dispatch people she doesn't much care for in the bargain.
AIP actress Gloria Castillo (REFORM SCHOOL GIRL, INVASION OF THE SAUCER MEN) gives the best performance of the show as the greedy waitress. But Anne Gwynne also seems to rise above the material herself, given that she thought the film was the worst thing she ever did and even caused her to stop making movies (this was her final film). Indeed, there are some unintentional laughs here, the best example being the dubbed voice of the teenage monster. It was initially felt that Charles sounded way too articulate for a mentally challenged moron, so the decision was made to have Gil Perkins loop in some hysterically stupid whimpers and whines that never match the filmed lip movements. Even funnier is the fact that Anne Gwynne and Gloria Castillo still appear to be able to make sense of every grunt he mumbles! ** out of ****
3 of 4 people found this review helpful.
Was this review helpful to you?